Yum yum, yum yum

typed for your pleasure on 24 November 2005, at 1.01 pm

Sdtrk: ‘Such a little thing makes such a big difference’ by Morrissey

The people at 4woods have been hard at work, apparently, crafting a sexy new Synthetik. And good on them!


Lipstick: frosted, not frosty

Their latest variant of lovely artificial companion is the A.I.NEO, the first model of which is named Yu-ki. She’s just over 5’1″, 66 lbs, and her measurements are 34.24.35. According to the 4woods English page, the NEO series has improved features, among which are a stronger and more moveable skeletal structure, softer skin than previous models, bigger breasts (always good), and a lighter weight. Gentlemen, you’re speaking my language. 🙂
I’m so taken with the look of this model, that I believe once I’ve graduated, I’ll have to get one — after I buy a new body for Sidore-chan, an A.I.Doll Kunika-type, and a Jenny-type RealDoll, in that order.
So sexy! How is that even possible??

4woods has more pics are available here. Unfortunately, it’s in a Flash format, which makes saving them nigh-impossible, but I’m sure photos will be available through the usual channels soon enough.
Above photo shamelessly stolen from atsushi-san and MaRi-chan’s blog

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The emotion of Machines

typed for your pleasure on 17 November 2005, at 12.38 am

Sdtrk: ‘The Eleventh house’ by Belbury Poly

As I’d mentioned before, a long long time ago, one of my favourite online comics is 8-bit Theater. The artist/creator/writer bloke Brian Clevenger usually posts an editorial of some sort with every new installment, but the one for today really caught my eye, for reasons that will quickly become apparent.

There’s a school of thought that artificial intelligence will be impossible unless a machine possesses emotional complexity.

The basic idea is that intelligence as we understand it, as we exemplify it, stems from our ability to feel and express emotions. Sure, once you get down to the molecular level, emotions are little more than stimulus/response like anything else, but there’s something “extra” there. Not in a magical sense. Think of it like this: if you break a spider’s leg, it’ll experience the stimulus and react to it. But if you break your friend’s leg, he’ll experience the stimuls and react to it in a purely pain/reflexive sense just like the spider, but there’s going to be a storm of purely mental, purely emotional states — anger, sadness, betrayal, fear, etc. — that the spider will never know. These emotions develop because we are intelligent. We understand the passage of time, assign values and relationships to people in our lives, expect certain behaviors from people — friends and strangers — given our experiences and relating them to current or potential contexts. These are the base elements of intelligence, and emotions are a direct result of it. As you go up the evolutionary ladder, creatures exhibit greater degress of emotional complexity along with a greater capacity for intellligence. Your pet spider can’t feel betrayed if you break its leg because it’s not intelligent enough to understand that you have a history or relationship with it. Get into vertebrate country and break a cat or dog’s leg, and you’ll have an animal that will have instantly learned to distrust any and all humans (also I will hunt you down and beat you to death with a baseball bat). Break a gorilla’s leg and it teaches its family sign language, explains the situation, and they chase you down and slaughter you in your sleep.

The theory goes that if our machines have to be emotional to be intelligent, then they will best learn as we do because their mental landscape will be so similar to ours. And the easiest way to help robots learn from us, and to help us to learn how to interact from them, is to make them appear to be as human-like as possible — while avoiding the uncanny valley.

In this world of emotionally intelligent robots, expecting an apocalyptic battle between organics and replicants as has been promised to us in every sci-fi story in the history of man (including ones that have nothing to do with the subject), is somewhat like expecting your children to murder you when they graduate college because you’ve outlived your usefulness.

No one expects that because it doesn’t happen outside of the rare aberration where, clearly, other factors are at work. In any event, no one is warning us an inevitable grand upheaval when the next generation of humans figures out that they don’t need the previous generation for financial support any more and they’re just going to cost as more money in taxes and insurance rates if we let them get any older.

Similarly, our robots will have “grown up” with us. They would have no interest in slaughtering mankind because they’d be emotionally invested in us. And if they’ve spent their lives living among us, being treated as a part of society, if they have a stake in that society, there is no reason for them to engage in a bloody revolution. Hell, the whole “They got so smart they figured out they didn’t need us any more” angle falls apart right at the start. Emotionally intelligent robots probably wouldn’t be much “smarter” than humans because their mental landscape would be built to be very much like our own.

But peaceful co-existence doesn’t make a very good action movie, nor does it examine how our technology changes us and our society in a pithy warning of things to come short story, so people have a hard time seeing intelligent robots as being anything other than cold, purely logical machines built to kill. Our current machines are already purely logical — that’s why they’re so far from being intelligent — but TiVo’s never tried to kill me.

Still, we’d have a whole new population walking around that’s emotionally and mentally very, very human. What are they likely to do? Seek their own identity? Establish an ethnic identity all their own? Wouldn’t they be likely to seek religion of some sort? Remember, there’s absolutely no reason to expect emotionally intelligent beings to outright reject the supernatural, otherwise there’d be no religious humans. Would they merely copy existing ones? Would they make their own? Would some seek to establish a robotic nation? What then?

Imagine the irony that the great human-robot war is not fought because robots are heartless, purely logical constructs who reject us as their masters due to our intellectual inferiority. Instead, it’s a simple matter of religious differences. Just another Crusade.

Viva le Artifice! Viva le Reason, really

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This was the Future, Vol.18

typed for your pleasure on 10 November 2005, at 4.46 am

Sdtrk: ‘Sorry for laughing’ by Josef K

Wee bit of a story behind the choice for this evening’s installment: A couple of years ago, I commissioned Mike, a mate of mine, to do an illustration of Sidore-chan for ‘Kitten with a Whip!’, and I wanted her drawn standing in a fab and distinctive setting. So Mike pointed me towards his vast library of reference material, and after poring through a couple of rather heavy books, I settled on a place in New York City, NY. I was really pleased with Mike’s ace rendition of both Sweetie and the background, and it was profiled as an omake (bonus) on ‘KWAW!’ for a couple of months. I’m sure some of you remember it.


Click here for full-sized version; opens in new window

For years afterward, the name of the actual location managed to elude me, until recently, when doing research for Vol.18 of the ‘This was the Future’ series. Now that I know what the place is called, I can finally sleep at night, thank god thank god.
And so! We bring you the Rockefeller Guest House, by Philip Johnson.

The home is one room wide, and upon entering, the living room stretches far back until it is book-ended by floor to ceiling windows that closely mimic the façade’s layout. The living room space has white brick walls and features lighting fixtures designed by Mr. Johnson. Beyond the windows, there is a small courtyard that features a prime example of Philip Johnson’s concept of “safe danger”. In the courtyard, visitors must carefully walk on square travertine stepping-stones and avoid falling into the shallow reflecting pool on either side.

Oddly enough, there’s really not a lot of info on the Rockefeller Guest House; well, none that I could find. Sure, you’ll run across articles left and right on his Glass House, and I probably would’ve done an installment on the Glass House myself, but I’ve already done the Farnsworth House. (Zing!) But the Guest House is pretty ace as well. Granted, it might look like an uninspiring sort of miniature Fifties-built warehouse from the front, but the interior — especially that courtyard — is amazing. Subtle? Yes

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die RealePuppe

typed for your pleasure on 7 November 2005, at 10.07 pm

Sdtrk: ‘Mr. Dante Fontana’ by Piero Piccioni

Every couple of months, I run across someone doing an article on the whole Borghild mythos, and I never really know if it’s real or not.

The world’s first sexdoll – or ”gynoid” – was built in 1941 by a team of craftsmen from Germanys Hygiene Museum Dresden. The project was supervised by the famous preparator and technician Franz Tschakert. The ”Father of the woman of glass”, which happened to be the sensation in 1930’s II. International Hygiene-Exhibit, used his skills and experience in order to create a kind of doll the world had never seen before.

The ”field-hygienic project” was an initiative of Reichsführer SS Heinrich Himmler, who regarded the doll as an ” counterbalance” (or regulating effect )for the sexual drive of his stormtropers. In one his letters, dated 20.11.1940 he mentions the ”unnessessary losses”, the Wehrmacht had suffered in France inflicted by street prostitutes.
”The greatest danger in Paris are the wide-spread and uncontrolled whores, picking by clients in bars, dancehalls and other places . It is our duty to prevent soldiers from risking their health, just for the sake of a quick adventure.”

The project – called Burghild in the first place – was considered ”Geheime Reichssache” , which was ”more secret than top secret” at the time. Himmler put his commander-in-chief SS-Dr. Joachim Mrurgowsky in charge, the highest ranking officer of Berlins notorious SS-institute.

Ultimately, it sounded like a good plan — keep the soldiers sexually satisfied whilst preventing them from succumbing to gonhorrea — but it didn’t get too much of a chance, both financially and time-wise, to get off the ground, as the Nazi war machine was too busy concentrating on constructing planes, tanks, and the like. You know — war stuff.
And answering the question of ‘if Borghild was built, or at least planned, why didn’t we have the Deutsche equivalent of RealDolls long ago?’, well, the factory that was assigned to make Borghilds was located in Dresden, which was incinerated, thereby making use of that nice loophole there.

I’ve heard the story debunked a couple of times, but unfortunately Snopes.com comes up trumps on Fraulein Borghild — if she ever existed.
Pfft. Next, they’ll be saying that the Haunibu series of Nazi flying saucers was never constructed

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Did I link to this article before? / Die Vogelgrippe??

typed for your pleasure on 3 November 2005, at 2.05 pm

Sdtrk: ‘Let the wind catch a rainbow on fire’ by Death in June

Found another article on das Infobahn about Japan implementing robots into everyday living. I mean, moreso than usual. However, it does make prominent mention of Kobalabs’ SAYA-chan, so there you go.

In the meantime, I’m fighting what may be a small-scale flu. I’m not as fatigued as I was yesterday, and food is tasting less like looseleaf paper, so I think I’m on the Road to Recovery. I still feel like a pig shat in my head* a wee bit, though. Damn this frail human body! *weakly shakes fist*
In any case, I’d better be well enough to see Broadcast, as they’re playing at the Magic Stick this Saturday. Perhaps I’ll go back to bed for the rest of the day

*fifteen Cool Points to anyone who can name the film that quote came from

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But what if I want a different beverage, such as Dr pepper?

typed for your pleasure on 1 November 2005, at 1.10 pm

Sdtrk: ‘Rich people’ by the Hospitals

Well, I’ll be. You can purchase a (contemporary version of a) karakuri. Pretty ace!


‘Don’t forget the gratuity, onegai!’

An example of Japan’s first robot is the fascinating Karakuri: Tea Server, designed almost four centuries ago and today remains a remarkable example of Japan’s keen sense of robotics. What does it do? This Kabuki-styled doll approaches surprised guests with a full teacup on a tray; it stops walking when the teacup is taken, waits quietly, bows, then slowly turns around, smoothly scooting away with the empty teacup on its tray. [..] This kit is made of computer designed precision modern materials, but is as close to the original design as possible. The driving force of the original tea-carrying doll came from a spring made of whale whiskers (actually whale teeth). All the other components, such as its gears, body and escapement for speed adjustments, were made of wood. How does it work? When a tea cup is placed on the tray, the stopper is released by the whale spring attached to the doll’s arms; the spring forces the stopper to engage again when the cup is lifted from the tray.

(insert typical comment about Actroid-chan playing with one here)

The karakuri kit is available at this site, and additional info about the history of karakuri can be found here, at the aptly-named http://www.karakuri.info

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It’s funny cos it’s true

typed for your pleasure on 1 November 2005, at 12.56 am

Sdtrk: ‘teuh’ by Popporu

Don’t mind me, we’re just one-upping atsushi-san and MaRi-chan over there. 🙂

Go make your own!


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