A perfect day for iDollators, Part II

typed for your pleasure on 10 October 2005, at 11.45 pm

Sdtrk: ‘Hey double double’ by Add N to (X)

Meghan Laslocky’s Salon.com article is finally out, and it’s available for your edification right here. 🙂 (Unless you have a subscription, you’ll have to sit through an advert to read it for free, but it’s brief, painless, and non-invasive.)

As she’s informed me that Salon had to edit her story due to length constraints, she’ll be posting the full version to the vastness of the Internet sometime soon; at which point, I’ll alert the lot of you. But what’s displayed on Salon.com makes for provocative, thoughtful and fecking ace reading, and really isn’t bad at all. Plus, Shi-chan and I feature rather prominently in the article, so we’re a bit biased..

I’d also like to wave broadly and say a grand Hallo, to all new visitors stopping round to ‘Shouting etc etc’ from Shi-chan’s site, Meghan’s Salon.com article, or the search engine of your choice. Do leave a comment, or a charming message on the tagboard to below left, if you’re so inclined

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A perfect day for iDollators, Part I

typed for your pleasure on 10 October 2005, at 2.37 pm

Sdtrk: ‘Suzunne Erica is Sunohara Yuri’ by Merzbow

It’s finally out!!

128 pages, 72 colour plates, and with a foreword by Elisabeth Alexandre. Plus, dig this: Elena is selling signed copies through her website for $40, which includes the shipping and handling. Why not order one? Why not order a couple?

Also, for those of you residing in West Hollywood, CA, Elena will be signing copies at the Sunset strip location of Book Soup, on 25 Oct, at 7pm. Shake her hand, call her friend, etc.

YEAH!! *throws fist in air, camera freezes, cue Simple minds song, credits roll*

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Cherry 2010?

typed for your pleasure on 8 October 2005, at 3.07 pm

Sdtrk: ‘Ba ba ba boof!’ by Pussy Cat

Kim Jong-Hwan, I like the cut of your jib.

Sex and the single robot

Jonathan Watts, East Asia correspondent
Wednesday February 2, 2005
The Guardian

Scientists have made them walk and talk. There are even robots that can run. But a South Korean professor is poised to take their development several steps further, and give cybersex new meaning.

Kim Jong-Hwan, the director of the ITRC-Intelligent Robot Research Centre, has developed a series of artificial chromosomes that, he says, will allow robots to feel lusty, and could eventually lead to them reproducing. He says the software, which will be installed in a robot within the next three months, will give the machines the ability to feel, reason and desire.

Kim, a leading authority on technology and ethics of robotics, said: “Christians may not like it, but we must consider this the origin of an artificial species. Until now, most researchers in this field have focused only on the functionality of the machines, but we think in terms of the essence of the creatures.” That “essence” is a computer code, which determines a robot’s propensity to “feel” happy, sad, angry, sleepy, hungry or afraid. Kim says this software is modelled on human DNA, though equivalent to a single strand of genetic code rather than the complex double helix of a real chromosome.

Kim said: “Robots will have their own personalities and emotion and – as films like I Robot warn – that could be very dangerous for humanity. If we can provide a robot with good – soft – chromosomes, they may not be such a threat.”

Although he admits his ideas sound fantastic, Kim is no crank. In the mid-1990s, the professor launched the robot football world cup, which has since become one of the most popular means for robotics researchers to measure their progress against competitors from around the world.

It’s plainly obvious that we must give this man the necessary funding that he requires, without question or hesitation

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Actroid’s ancestors

typed for your pleasure on 1 October 2005, at 2.52 am

Sdtrk: ‘Square wave’ by Ecstasy of St.Theresa

One of the many things I’d like to do before I expire would be to make a pilgrimage to Switzerland. Apart from the streets being paved with Nazi gold and fountains overflowing with the world’s finest chocolate, it also contains a city named Neuchâtel, which is the home of three of the most well-preserved examples of automata from the 18th century.


The Draftsman, the Musician and the Writer

The three automata were built over a period of four years by the Swiss-born father and son team of watchmakers, Pierre and Henri-Louis Jaquet-Droz. The first one, the Writer (oddly enough, none of them have names) sits at a desk, dips his quill pen into an inkwell, and skilfully writes out one of a handful of phrases. His head moves as he writes, and his eyes follow th motion of his hand.

The Draftsman, the second automata, is a little more fun, as he’s a wee artiste. He can draw up four different things — a profile of Louis XV, profiles of Louis XVI and Marie-Antoinette, ‘my doggie’, and a cherub in a butterfly-drawn chariot (?) — and much like his brother, his head and eyes follow his work. Additionally, as he draws, he moves the hand not holding the pencil away from the paper, so he can evaluate his work, and he actually blows away any dust the pencil makes. An anecdote tells of during an exhibition where Jaquet-Droz was showing off his automata, he was asked to have the Draftsman draw a picture of Louis XV, and the Draftsman drew ‘my doggie’ instead. Luckily, no-one was beheaded.

Both the Writer and the Draftsman are similar in appearance; they both resemble very well-dressed, androgynous, baroque toddlers. The third automata, however, is a young maiden in probably her late teens seated behind an organ. As it says on Lutèce Créations:

This automaton, whose body, head, eyes, arms and fingers have various natural movements, plays itself five different music pieces on an independent organ, with much precision : its head and its eyes are mobile in all directions, so it alternately looks at the music and its fingers. At the end of each tone, it curtseys to the audience, bowing its body and nodding its head. Its throat alternately lifts up and down regularly, so that the spectators believe they can see it breathing.

Very ace, and despite the Jaquet-Droz kids not necessarily being the first automata ever made (I might well cover that topic at a later date), they remain stunning accomplishments for the technology at that time.

I’d just like to point out here that it’s a wee bit difficult finding decent photos of the trio of automatons, and finding footage is even harder. During a break in our filmmaking, Allison De Fren informed me that there’s only one videotape available of them in action, and that’s only because only one person has thought to film them. The somewhat-overpriced tape’s available from the gift shop on the site linked above. *shudders* Ugh, videotape. But yeah; one of the many reasons for me to visit the Museum of Art and History in Neuchâtel would be to get some more film out there in the world, at the very least..

What I personally think would be absolutely perfect, would be if the Osaka lab staffers were to bring the Ando-san version of Actroid to the Museum, and have her present a video segment about them. I’m sure Jaquet-Droz père and fils would approve

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Any Synthetiks-related news, Davecat? (Sept 05)

typed for your pleasure on 17 September 2005, at 5.47 pm

Sdtrk: ‘Such a sound’ by Birdie

Disappointingly, I’ve not been able to scrape up any new news about my beloved Actroid Repliee or any of her iterations for quite a while now; not only that, the page related to the Actroid projects on the Osaka University Graduate School of Engineering site no longer exists. Either that, or they’ve sussed that I keep checking it once a day to see if it’s back up, and they’ve cleverly switched URLs on me. There hasn’t even been any decent news concerning Synthetiks that’s cropped up recently. (Apart from the fact that Abyss is on the verge of releasing Body 10, but you’ll hear more about that when I do.) Hrm.
Thankfully, my friend Wolfgang of vulne pro studios has sent along this pretty interesting link, ‘Why Japan, and not America, is likely to be the world’s first cyborg society‘, which touches upon simple robots such as the Roomba, and leads up to my current favourite Gynoid:

There’s arguably a reason behind iRobot’s refusal to anthropomorphize Roomba. Deep in its heart, America finds the idea of technology with personalities to be … spooky. After all, the notion of objects with minds of their own runs counter to deeply ingrained Judeo-Christian values — creating devices that can move and think without human intervention veers a little too close to playing God. And what if we do manage to create machines that are smarter, stronger or more capable than humans? Our subconscious paranoia about machines has prompted us to create dystopian visions like “Blade Runner” and “The Matrix.”

and

Japan’s robot love goes farther than respect for function, and deeper than mere pragmatism can explain. Shinto, Japan’s homegrown religion, is an animist faith. The Japanese embrace of robots is a logical extension of ancient beliefs that all things, living and nonliving, organic and inorganic, can possess a transcendent spirit. In Japanese tradition, humanity has never been reserved for humans. Is it any wonder that Japan is welcoming the cyborg future with open arms?

Interesting stuff, and always refreshing to read an article which isn’t three or four paragraphs of ‘zOMG TEH ACTROID GIRLBOT IS CREEPY!!1!’

Also, my copy of ‘Des poupées et des hommes‘ arrived a day or so ago! It’s entirely ace; 155 pages, 40 of those being full-colour photos by Elena D. Shi-chan and I even get our own eight-page chapter! Elisabeth signed the front page: ‘pour mon ami Davecat et pour sa fiancée Sidore. Heir of a long tradition, pionneer of a new one.’ It’s a shame that I didn’t pay more attention during my French classes in gradeschool, so I could comprehend the rest of the book..

So I’m kinda wondering if Japan has a need for stenographers at all. Or, at the very least, Actroid masseuses.. It’s like I say: find a niche, then fill it; if there isn’t a niche, make one and then fill it

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your Autumn Reading Suggestions

typed for your pleasure on 29 August 2005, at 3.19 am

Sdtrk: ‘Velada’ by Fursaxa

Look at what I found!


yes, that’s my Sidore-chan. 🙂

Remember, Elena Dorfman’s ‘Still lovers’ comes out next month, and it’ll be available on Amazon.com, as well as Barnes & Noble and a couple of other vendors.
And if you can read Français, why not also buy a copy of ‘Des poupées et des hommes: Enquête sur l’amour artificiel (Dolls and men: Investigaton into artificial love)’, written by Elisabeth Alexandre, with photos by Elena Dorfman? Why not? Hmm?

They’ll be the best literary purchases you’ll make all year. (Despite the fact that one is mostly photographs, and you might not even be able to read the other one.) I guarantee it

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Stars in their Eyes, Part II

typed for your pleasure on 5 August 2005, at 1.58 am

Sdtrk: ‘Fun city’ by Soft cell

(Before commencing with this part, have you read the previous section first? It’ll make more sense that way, trust me.)

MONDAY, 01 AUGUST
Since we’d be starting the day’s filming at 10am, once again, Shi-chan and I got up at 7am for preparation’s sake; also, since I spoke with Mari before hitting the sack last night, she wanted me to swing round and pick her up at 9am. Shi-chan wore the same gear as yesterday, with the exception of her black O-ring collar, and I switched to a white shirt (so we’d both have on white tops and black bottoms), a slim grey tie, and my Chuck Taylor trainers.

After prepping the Missus, I motored out to Mari’s place at a little after 9am. Now, the house where she lives has a bit of a problem, in the fact that her doorbell doesn’t work, and she’s in a room at the bipolar opposite of the main entrance. So in short, if she’s asleep, knocking doesn’t do any damn good. I rang her a couple of times from my car, as a large black dog happened to be wandering round loose next door, with no answer. As the clock was ticking, I ended up driving away at 10.25, letting Allison and Grant know that I’d be a little late.
As an aside, it turns out that yesterday we’d really lucked out with the weather, as it reached the upper 80s round 10am, with a high of something like 89°. Good thing we’d be inside for the majority of the filming today..
Having gotten home, and after leaving a message on Mari’s voicemail that I’d call her back before we hit Nippon kai, Allison and Grant appeared round 11am. They were more well-rested than before, and Allison was sporting a t-shirt that read ‘ACTION FIGURE’ across the front. ‘That would look good on the Missus’, I quipped. ‘I picked this up from a thrift store, but when it’s outlived its usefulness to me, I’ll send it to you,’ she responded. We’re holding you to that! 🙂

As our reservation at Nippon kai wasn’t until 1pm, our first objective stop on today’s agenda was to ostensibly film me wandering round an intimate boutique, picking out stuff for Shi-chan, so I suggested Priscilla’s over on Woodward. The three of us went up to the counter, and Allison explained the situation to the clerk, and asked if they could film me for a couple of minutes. The clerk, a short, slightly chunky blonde with apple cheeks, said that she’d have to call the district manager. After a two minute call, she said that the manager said no, so our raiding party schlepped on out of there. However, Grant did get some footage of me gazing at the Mannequins in the window. (NOTE TO PRISCILLA’S STAFFERS: Your Mannequins are in shoddy condition — get them refurbished.)
I’d suggested that we try over at a Lover’s Lane, another intimate boutique chain, but we reasoned that we might very well run up against the same wall there as we did with Priscilla’s. Then it occurred to me that we should give “Brown bag it” in Clawson a go, as not only are they independently owned, but they’ve been round much longer than either of the aforementioned chain stores, and I’m sure they’d appreciate the publicity/business. So we headed to “Brown bag it” (the quotation marks are apparently part of the name; don’t ask me why) and entered, waiting patiently to speak with the 60-year-old female clerk on the phone. As it turned out, we were rejected there as well. The clerk said that as a matter of fact, the store owner was the person she was just on the phone with, and he wouldn’t go for publicity like that. She explained that what it basically boils down to is that the cities of Royal oak and Clawson have these draconian ordinances regarding stores selling articles of a sexual nature, and too much publicity would draw attention to “Brown bag it” and possibly get them shut down. So they’re doing a ‘hiding in plain sight’ kind of thing; their front door (which is locked; you have to enter from the rear) has an 18 and Under Prohibited statement on it, and unlike Lover’s Lane and Priscilla’s, they don’t even have window displays, just block glass and brick. So basically, we’d come up trumps again..

We still had some time, but Allison wanted some footage of me doing something I normally do, only without the presence of Shi-chan. As we were driving away from “Brown bag it”, Grant hit upon the idea of perhaps someplace anime-related. At first, I thought, ‘ah, nice one, but the only anime store I can think of is Wizzywig, which is an hour away in Ann arbor’, but it struck me – Warp 9 might be promising. So Grant swung the rental round, as Warp 9 is across the street from “Brown bag it”, oddly enough. Well, the third time was indeed a charm, as the counter clerk said it wouldn’t be a problem for us to film in the store. Rock on!
I’d never been to Warp 9 before; I’d passed it several times en route to other places, but never got round to stopping inside since they opened back in the late 90s, and I think I’m going to make a point of getting round there more often. Any place that carries not only Edward Scissorhands Kubricks, but the original Micronauts Rocket tubes is alright in my book. 🙂 Grant duly filmed me walking into the store and casting my gaze about, and Allison wanted to get me looking over a Chii figure from ‘Chobits’, and Armitage from ‘Armitage III’, as she had managed to license footage from both features.
After getting some good shots there, we made our leave, and I rung Mari to tell her that we’d be going home to obtain the Missus, after which, we’d pick her up, which we carried out. Ironically enough, Mari was to later tell me that since she thought I would knock on the livingroom window due to their non-functioning doorbell, she got a nap in on the livingroom floor. *grits teeth*

We showed up at Nippon kai round 1.30, about 30min late (our schedules were all kinds of screwed up that day, as you’ve probably sussed by now), to a crowd of five patrons at the last half of the lunch rush. One of the reasons that I love Nippon kai so much is that hardly anyone is ever there. Whenever Monti and I go for our monthly dinner dates, there’s usually never more than five or six other patrons there, and I’m talking Saturday evenings here, so I thought it would make for a perfect place for bringing Sweetie and a film crew.
After speaking with the manager / head sushi chef, and reminding him who we were, we were allowed to bring the Missus in through the backdoor into the shoji-screened private seating area in back. ‘Oh! Scary!’ was one of the comments I’d caught from one of the waitresses, but I didn’t hold it against them. In fact, it was kinda funny: after we’d gotten ourselves situated and ordered our food, one of the waitresses who recognised me as being a regular came back in with our green tea while Grant was filming.
‘What is her name?’ she asked me.
‘This is Sidore Kuroneko,’ I replied.
‘Ohh, Sidore Kuroneko,’ the waitress repeated, ‘She is your other girlfriend?’
I nodded. ‘I’m lucky.’ 🙂

Filming and eating continued as Mari and I sat on either side of the Missus at the end of the table, and Grant shot us interacting ‘normally’. Upon reflection, I don’t think I interacted enough with Sweetie, as I was concentrating on devouring my tendon (I, ah, kinda skipped brekky that morning) and helping Mari to not be so nervous on-camera. ‘Davecat is the only friend I have that I would go on-camera for’, she said. ‘You’re a good friend,’ Grant replied.
Allison asked Mari a couple of questions about how she met me and Shi-chan, and how she perceives our relationship, to which Mari said some very beautiful things, but the best part was probably before the legitimate question segment when Mari and I were speaking, and she had told me that she would’ve dressed Shi-chan differently. ‘For one, she’d be wearing more clothing.’ ‘What d’ya mean by that?’ I replied, opening Sweetie’s blouse up some more. When Allison asked what Mari meant, she said that I dress Shi-chan in the style that a guy would want her to dress, which is arguably true. It was actually pretty funny — one of those ‘you had to be there’ things — and I hope A & G manage to edit it into the finished product..

Allison had informed the head sushi chef that we’d be packing up our stuff and out of there by 3.30, as we were doing our shooting during Nippon kai’s after-lunch-before-dinner cleanup and restock time, but by the time we actually finished the Q&A segment, we ran into overtime by about 20min. Which sucked cos not only did Allison ask only about a third of the questions she’d written down, but the head sushi chef apparently had a doctor’s appointment that he had to reschedule, which none of us knew about. All of us alternately apologised and thanked him profusely, and I told him that next time Monti and I were up, we’d be ordering a large dinner. On our way out, he and the waitress who knew me (yes; next time I’m up, I’ll ask them their names) were asking me how I knew about karakuri, as that was one of the things Allison asked me to explain. They were also under the impression that I made Sidore myself! I explained that ‘a friend’ in California makes her as well as a few others, and each ningyou (Doll) costs around $6000. ‘When you come back, you can order a $6000 dinner!’ Ha ha! 😐

Yeah, Monday was definitely our ‘pressed for time’ day, but Allison said that she could probably use some of the extra footage from the cemetery shoot to make up for it. However, at that point, it was near 4pm, and we had to make some informed decisions as where to go next, as A & G had to be at Metro Airport by 6pm to catch their respective flights home. Grant decided we should probably get more location footage, and since practically everytime I mentioned Detroit either on- or off-camera it was closely followed by the phrase ‘urban decay’, they asked us where would be some good places to go film some blight. They were on the hunt for blight. Also, they never got a chance to film the Fox theatre yesterday, so they wanted to hit that as well. I suggested we take Woodward going south, as passing through Highland park would be a blight hotbed.
If we’d had more time (and if my capacity for thinking wasn’t completely destroyed from the heat), I would’ve suggested Rivertown and Chene park, but instead we commenced Blight Search ’99 over off east I-75 by Holbrook. We drove round a couple of factories and warehouses, Allison behind the wheel and Grant filming out the passenger side window, when we slowed down past the open door to some warehouse or other. A shop rat and some girl he was talking to noticed us and approached Grant’s open window with a wad of what looked like napkins in his hand, saying ‘Hey, check this out’. Then he must’ve caught sight of the Missus, cos at that point, he threw the napkins down and asked ‘What’s going on here? Who are they?’
‘They’re just people,’ Grant answered.
The shop rat turned suddenly hostile. ‘Go on, get outta here. You want me to break your $60, 000 fuckin’ camera? Get the fuck outta here.’ As Grant rolled the window up, Allison reversed the Taurus, with the shop rat peering in through the car windows all the while until we left the lot.
‘This is why I don’t go outside,’ I commented, only half-jokingly.

After our little encounter with the lower class, we managed to get some shots of parts of Hamtramck, as well as Woodward leading up to the Fox, and Elwood grill. As a final point of interest, Allison wanted to attempt filming in the semi-famous Michigan theatre, the forrmer-picture-palace-turned-car-park, so we headed there as well. It’s open for visitors, but unfortunately, we arrived an hour too late. *shakes fist* Grant filmed some of the surrounding buildings, whilst I summarised how growing up in Detroit has affected me as an iDollator, and as a person in general.

Finally, A & G dropped Shi-chan, Mari and myself back at the homestead close to 6.30pm, after a long but mostly rewarding day of filming. Mari and I signed release forms, only I had stipulated on mine that the end product would not be screened in Michigan. The reason for that should be obvious; without that clause, I could very well picture the documentary being shown at the Main Art theatre, followed by a review in our popular local alternative paper, the MetroTimes: ‘One of the movie’s subjects is Davecat, who owns a doll of his own, and lives in Detroit..’ Sure, bad press is better than no press at all, but you have to draw the line somewhere.
Speaking of the end product, I’ve not really given any other details! The film, which doesn’t yet have a title, should be between 90min and 2 hours in length, and Allison hopes to have it finished by the end of the year, so that she can shop it round to various international film festivals. Among the other people interviewed were Matt McMullen (of course), Hajime Sorayama, staffers at Orient industry and project LEVEL-D, Robert Parigi (who apparently lives just up the road from Allison), Gaby Wood (author of the ace book ‘Edison’s Eve’), iDollators Prof.Sakai and Ta-bo-san, a couple of staffers from Kobayashi Lab who worked on Android SAYA (Actroid-chan’s older, not-as-attractive sister), a few other individuals, and of course, Elena Dorfman. They’ll be sending me a DVD when the editing is finished, and as soon as I get any news, I’ll be sure to incessantly blab about it..
Handshakes and hugs and farewells for everyone, and our film crew friends were back in their red Taurus heading for the airport. I have to say that both of them did an extraordinary job of putting myself and Mari at ease, and being able to put up with my initial reluctance at immediate scheduling. They were both ace to work with, and I’m looking forward not only to the finished documentary, but to hearing from them again. Well done, Allison and Grant! Thumbs up!

Mari and I went inside to cool off and for a post-game chat, and assessed that the three of us presented ourselves really well. Every couple of years Shi-chan and I get another fifteen minutes of fame, and I’m glad, cos we’re doing what we can to promote the idea that Synthetiks, whether they’re high-end love dolls such as RealDolls, or full-fledged Artificial humans, are not something to be feared or reviled, and those who are interested in Synthetiks are relatively normal people who are open-minded enough to enjoy manufactured beauty, and appreciate the technological advancements that Synthetiks happen to be as well.
Perhaps the techs at Kokoro co. Ltd. will invite Shi-chan and I to meet one of their lovely Actroids one day! Anything can happen once you set your mind to it, you know

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