Sdtrk: ‘Wasted place’ by Gary War

Have some additional news! Plus, it’s still November, and I couldn’t think of a decent new title.

It’s no secret that I don’t understand popular culture, and what passes for its music is one of the facets that either leaves me cold, or makes me angry. Like that Lady Gaga, as an example. Back in my day, we had a Lady Gagaga, but her name was Toyah Willcox, and her music was not as facile. I dunno; starring as a nihilistic punk in Derek Jarman’s ‘Jubilee’ made her truly cool, in my opinion. Three aspects about Lady Gagagaga redeem her from being an utter waste of space, though: she’s into Warhol, which is always good to hear; her overall message seems to be ‘be comfortable with who you are, no matter what others say’, which is definitely relatable; and GAGADOLL, which is a new and enticing thing.

As is the way of most media events these days, there are no details yet anywhere on the site, so I’m compulsively checking that shit, like, every day, so that I don’t miss anything. Are these Dolls that are going to be used in one of Lady Gagagagaga’s new music videos? Will they be for sale? Should that be the case, will you be able to dress them in architecture, much like the Organik Lady Gagagagagaga? We shall see!

4woods have just released two new heads, Sayo, and Sayo -drowsy-. Could you imagine being an iDollator who would want to solely concentrate on owning A.I.Dolls, and hearing news like this? You’d either be ecstatic that you have new additions to your collection, or you’d be flipping over a table, shouting ‘DAMNIT I AM RUNNING OUT OF MONEY AND SPACE FOR THESE!!’ Be careful what you wish for! Could’ve been worse, though, Inconsolable Fictional 4woods Brand Loyalist; you could’ve opted to collect every single body and head from Orient industry.

Left, Sayo, taking her earrings off before fighting; right, Sayo -drowsy-, struggling once again with narcolepsy

The Sayo head fits the A.I.NEO im body, and both Sayo and Sayo -drowsy- can go onto the A.I.Doll EX body. What next for 4woods, then? Well, give them a month, and they’ll more than likely have an answer.

Since late October, I’ve been in contact with Jury (pronounced ‘Yuri’), the head of a fledgling Doll studio out of Latvia (not Latveria; that’s Doctor Doom’s homeland), to see if he’s ready to release his creation to the world. Almost! His Dolls are different than the typical silicone fare that everyone’s familiar with, as Jury is building them out of fabric. They’re called Textile Dolls, and they’re rather impressive!

Clare head, 150cm body

Here are some facts about the Textile Doll series: Jury purchased a silicone Doll for himself, but despite the fact that they’re amazing for photography, he thought they were too heavy and could be too cold for funtimes in bed, so he created the Textile Doll. The head is lightweight and made of pressed fabric with glue, with painted makeup and skintone, and has plastic eyes. The body is soft and contains an articulated skeleton over a leather-fabric and Lycra skin, with batting and sponge for musculature.
So far, Jury’s developed two bodies: the Big Bertha (170cm, or 5’6″), which can accomodate the Melissa and Isabelle heads, and the 150cm (5ft) body, which takes the Clare head. Both bodies weigh 5kg, or 11 lbs, and the Big Bertha takes a sz 9 shoe. I’ve yet to find out if that’s an EU sz 9… Incidentally, her fingers and toes are articulated as well, and her lady bits are a Fleshlight. Her breasts and bum are soft; even though they don’t use silicone, but the fabric sags and droops appropriately like silicone. I’ll also be finding out soon what their measurements are, so look forward to that. In fact, Jury’s working on having a website made, so that’ll get a mention and a link once it’s up and running. Not bad, Jury, not bad at all!

And remember how I’d mentioned that Sidore, Elena, and I had a German telly crew visit recently? You can view the (wax) fruits of our labour here, on the site for the telly show Explosiv: Sex-Puppe: Dave braucht keine echten Frauen. Anyone want to have a go at providing a translation, for those of us who don’t sprechen Sie Deutsch fließend? Wartezeit. Warten Sie eine Minute. Ich spreche Deutsch! Dieses ist wunderbar! Es ist, als ob ich immer zu gekonnt habe speak German… o, wait, now it’s gone. DAMNIT *flips table*

EDIT (28 Nov 2013): Alert reader Christian Müller comes through with a translation of the Explosiv video in the comments here, as he knows German like the back of his hand. Or the front of it, for that matter. Thanks, Christian!

Sdtrk: ‘Seconds too late’ by Cabaret Voltaire

What have we here? News and information on imitation people, as that’s mostly what ‘Shouting etc etc’ traffics in. Note I’d said ‘mostly’; that subject’s not the only thing I write about here. But Synthetiks news does seem to dominate the topic selections, curiously enough…

On the first of the month, Japanese dutch wife manufacturing juggernaut Orient industry debuted a new line of devastatingly sexy CandyGirls, under the name ‘Yasuragi‘.

Left: Kurihara Madoka; right: Fujisawa Yayoi

What does SYSTRAN seem to think Orient industry is saying about the new line, you ask?

The super real love doll “Ya, Su, Ra, Gi” created!!
From 11/1 (Friday) start of sale

* The serenity head is Ange body and compatibility, but color of the skin differs from the Ange beauty white body.
In addition, also color of the skin of the Ange beauty white head and the serenity body differs in the same way.
The case of order this point beforehand in regard to comprehension, purchase, the fish we ask.

*protracted sigh* Thanks, SYSTRAN.
At any rate, these seem to be the most realistically-sculpted heads since their late-lamented CandyGirl Jewel Diva line. From the production photos on the site, I’m led to believe that the company laser-scanned actual Organiks to help develop the new heads. Also interesting to note, each model has a surname as well as a first name, which is something new. I tried popping the names into Google to see if the Dolls are based off of Organik lasses with those names, but nothing came up that would prove that. But that doesn’t mean you can’t enjoy what they have to offer!

Left: Iikura Minami; right: Konishi Asami

‘Yasuragi’ means ‘peace of mind’ in Japanese, and gazing upon the beauties above, the reason behind Orient industry giving that model line that name makes perfect sense. As it’s stylised into four hiragana syllables — や す ら ぎ — I was hoping that you’d find one hiragana in each of the four lasses’ names, combining them to come up with yasuragi, but no. Orient industry missed a trick, as far as I’m concerned…

This is something that, to me, is simply a common-sense assessment, but it’s always good to have additional scientific proof:

Humans tend to trust robots that look human
Nidhi Subbaraman, NBC News | Published 28 Aug 2013

Most robots are so much more than a pretty face, but most humans don’t see them that way. We make snap decisions about a robot’s personality, friendliness and abilities — all from the way it looks, even if it’s just a projection on a display screen, new research shows.

A new study, published in the Aug. 28 issue of PLOS ONE, adds to growing evidence that as robots become assistants and collaborators in all aspects of our lives, their appearance can deeply influence how well machines and humans interact.

The authors of the study recruited 30 volunteers, ages 18 and 38, to interact with three different robot avatars for the PeopleBot robot, which helped them take their blood pressure.

Each volunteer got a turn with each of three robot displays. The first two displays featured faces — one with human features, eyebrows and fleshy skin tone — much like the European student on which it was modeled — and another with a silver android-like finish and blank eyes. In the third session, the volunteers checked their blood pressure checked with the help of the same PeopleBot, but this time with no display face at all, merely a voice.

Afterwards, the humans rated their experience. By far the most popular version of the assistant was the one with the most human face. But here’s the surprise — the test subjects trusted the faceless robot over the one with a silver mechanical face. The silver face, they reported, though more human, was also more “eerie.”

“When you can’t put it in a box of being either human or a robot, that’s when you’re a bit uncomfortable,” Elizabeth Broadbent, senior lecturer at the University of Auckland and the lead author of the study told NBC News.
the rest of the article is here

Our friend ‘Hans’ was round our flat a few days ago, and we watched several videos of Synthetiks, both Gynoids and Dolls, as his home lacks Internet access, so he and ‘Bee’ miss out on a load of these sorts of developments. He was very impressed and a wee bit smitten with Actroid-F, as anyone would be, but he was on the fence regarding Gynoids that looked less realistic, such as Holon. I reminded him that even though a lass like Holon skews towards a more ‘anime-styled’ appearance, it’s good that she exists. When humanoid robots are more prevalent in society, some people will prefer that they resemble a shiny metal humanoid, much like a Sorayama illustration. There’ll be those who, like me, want a Synthetik to look like an animated silicone Doll, like the Actroid series. But there will be people whose aesthetic preference and comfort level fall in between, and would perhaps want a humanoid robot with a more stylised appearance, which is where someone like Holon comes into play. The way I see it, if we can utilise Synthetiks going from either end of the visual spectrum, there’s bound to be one to fit all requirements…
As an aside, when Roc Morin was interviewing me recently, I’d told him my ideal version of Sidore would be a Gynoid that would resemble an Organik human on first glance, but would still retain subtle ‘tells’ such as silicone skin and somewhat stilted movement. Roc mentioned that her less-than-fluid motion would be a pleasant and appealing characteristic, like a partner having an accent. Clearly, he knew what I was talking about there!

Another comic book miniseries that deals with Synthetiks in what seems to be a positive light will begin its run this month: Image comics’ ‘Alex + Ada’, written and illustrated by Jonathan Luna, and co-written by Sarah Vaughn.

‘I hope that at some point, you take that silly thing off.’ ‘What do you mean? It’s just a necktie.’

In this near-future tale, Alex is attempting to recover from a setback in his life and return to normal. Ada, a Tanaka X5 and the latest and greatest model of companion android, comes into his life. She lives to serve, as long as her programming allows it, but does he want to be served?

The world of ALEX + ADA gives us a glimpse of what our own future may be like. It features a thriving robotics industry, alarm clocks that are floating holographic displays, breakfast served by floating robots, and normal human beings who are able to control their home electronics with a thought. Vaughn says that readers can expect “drama, humor, love, loss, and more robots than you can shake a stick at” in the series.
taken from this site

For one, it helps that the art style is crisp and clean — it always puts me off when I want to read a comic, but the art is so distracting that it completely takes me out of the story. (Early issues of ‘Sandman’, I’m looking in your direction.) But from what I’ve read in an interview with Luna and Vaughn, they’re not just addressing a possible romance between the main characters, but they also intend on spotlighting the implications behind the usage of robots as well, so that’s two points in their favour. Well, three, counting the good artwork thing.
The series will run for twelve issues, which puts people like me in a bit of a quandary: do I buy all the individual issues as they’re released, or do I bide my time and hope they’ll be compiled in a fancy trade paperback?

Tying into the idea of future interactions between robots and Organiks, on the science and robotics site IEEE Spectrum, you’ll find an excellent article by Kate Darling, entitled ‘Extending Legal Protection to Social Robots‘, which is a cause I’m constantly upholding a banner for! In case you somehow weren’t aware.

Most discussions of “robot rights” play out in a seemingly distant, science-fictional future. While skeptics roll their eyes, advocates argue that technology will advance to the point where robots deserve moral consideration because they are “just like us,” sometimes referencing the movie Blade Runner. Blade Runner depicts a world where androids have human-like emotions and develop human-like relationships to the point of being indistinguishable from people. But Do Androids Dream of Electric Sheep, the novel on which the film is based, contains a small, significant difference in storyline. In the book, the main character falls in love with an android that only pretends to requite his feelings. Even though he is fully aware of this fact, he maintains the one-directional emotional bond. The novel touches on a notably different, yet plausible, reality: humans’ moral consideration of robots may depend more on our own feelings than on any inherent qualities built into robots.

This distinction hints at an approach to robot rights that is not restricted to science fictional scenarios. Looking at state of the art technology, our robots are nowhere close to the intelligence and complexity of humans or animals, nor will they reach this stage in the near future. And yet, while it seems far-fetched for a robot’s legal status to differ from that of a toaster, there is already a notable difference in how we interact with certain types of robotic objects. While toasters are designed to make toast, social robots are designed to engage us socially. At some point, this difference may warrant an adjustment in legal treatment.
the entire article is here

The sooner ethics, morals, and legalities are addressed concerning robots, the better. It would help, of course, if society stopped regarding them as tools, but as beings in their own right…

You may vaguely recall Japanese sculptor/Dollmaker Erimo — he first appeared on my radar due to his 1/1 scale replica of Organik model Marie Honda, created for an Absolut vodka ad campaign back in 2005. His website has long-since become virtual dust, unfortunately, but back in March of 2009, he’d created an installation at a Japanese art gallery entitled ‘Sisters are in the room’. Over the course of several days, the two life-sized ball-jointed Dolls who the installation focused on told a story through various poses. This will be the closest we’ll get to having viewed it in person, but it’s better than nothin’:

And that’s the lot for now! Although I think I was supposed to add something else. But I can let you know that I’m in the midst of rustling up some information about a new Doll studio out of Europe, so that’ll be something to come back to ‘Shouting etc etc’ for! Well, something else to come back to ‘Shouting etc etc’ for.
*snaps fingers* Now I remember! I’ve added a link in Ye Olde Sidebar to ‘Bienvenue chez Elle‘, which is a site maintained by the winsome French RealDoll, Elle, and her lover man. She’s gorgeous, he’s an excellent photographer, so you’ve no excuse not to pay them a visit, really…

Also as it’s November, both Elena and I celebrate our birthdays this month (the 17th and the 14th, respectively)! The best present you could get us would be a two-bedroom flat in Toronto, preferably in a high-rise overlooking Highway 401. Don’t worry, we’ll supply our own furnishings

Sdtrk: ‘Long as the sun’ by Medicine

Ladies and gelatin, it has been a heady couple of weeks. Let me get you lot up to speed with things:

In the process of lifting my lazy affictitious Russian one Saturday evening in late September, I did something unpleasant to my back, to the point where I was in excruciating pain for about a week and a half. This is the thing that kills me: I’ve lifted Sidore (just under 100 lbs from 2000 to 2010, now down to 78 lbs) thousands of times over the course of 13+ years, with no ill effects, but the one time I have a go at lifting Elena (57 lbs), something goes wrong. Really, what are the odds?

Due to my injury, I took the week off work. I saw my GP… well actually, I had to see the other GP who shares the clinic with my GP, and after determining that I had a herniated disk, she gave me some cyclobenzaprine, which is a muscle relaxant, and some prescription-level ibuprofen, both of which did the business. When I went back to work after my week of cursing this ineffective meat body, my job laid me off on the 30th. It wasn’t to do with my injury, but work had been extraordinarily slow for a couple of months prior to me fucking up my back; when I returned, one of my coworkers was doing my job, but saying there was nothing for him to do. However, at the very least, I was laid off, not fired; my boss told me with his own mouth that as soon as things picked back up, he’d give me a call. So there’s that. Thankfully, I’m collecting unemployment, though…

You’d think it’d be nice to take advantage and get caught up on things in the absence of a day-to-day job, right? Get some reading in, start and finish building any model kits that need to be assembled, that sort of thing? Well, yes and no. Fellow iDollator Everhard summed it up pretty well in a recent Email to me:

Being unemployed really is a full time job that leaves no energy for the creative things. I have plenty of experience with that. You need proper freedom of time and effort to achieve worthwhile things. Even when you attain that state, or something approximating it, it seems to take a while to get acclimatised to it. Old habits die hard.

Instead of digitising all those pieces that I’d recorded as Wreath.VCA onto cassette tape years ago, or scanning all those print photographs I’d taken over the years, I’m spending my time seeking work online, or sleeping, or catching up on telly shows that I’ve been wanting to see for a while — the first two eps of The Owl Service are good, then it kinda gets bogged down in a Young Adult Fiction vibe, but the last episode is basically The Exorcist, and Children of the Stones is like The Prisoner crossed with ‘The Wicker Man’, and its last episode wouldn’t be out of place during Pertwee’s run on Doctor Who — or compulsively checking my websites. A large part of it, I think, is if I weren’t so concerned about trying to find ‘gainful’ employment, I could relax a lot more…

Apart from the idle distractions I’ve been engaged in, I’ve also been busy either accepting or deflecting loads of media appearances, brought on by Julie Beck’s article about me in the Atlantic! A few days after my back felt well enough for me to not spend 23 1/2 hours in bed per day, I’d received enquiries from two separate radio chat shows — one in Vancouver, the other in Australia, as well as some bloke working for Barcroft Media who mentioned eventually selling my segment to Dr Phil, and a writer who wanted to publish her article in Cosmopolitan, but had ties to the iDollator-hating feminazi site Jezebel. Obviously I’d said No to all of those, as if they didn’t look insubstantial or derisive, they seemed like too much of a risk.
What I’d said Yes to, though, was a fun and in-depth two-hour interview via Skype on 16th October with Maya Docha, a freelance reporter/writer, and a five and a half hour interview by Roc Morin, who entered Deafening silence Plus of his own free will on the 28th of this month. Maya struck me as funny and insightful, and the fact that she’d spoken with the Kinsey Institute means she was looking to do more than a puff piece, and when Roc and I weren’t discussing Dolls, Gynoids, and the past and future of artificial companions, he was telling me hilarious/unsettling anecdotes about his trip to North Korea a few years ago. Neither one of their pieces are published yet, so hold your horses; you’ll know when I know.
And to top it off, on the 26th and 27th of October, Shi-chan, Lenka, and I were filmed by a telly crew working for RTL Germany! We’re due to appear in a segment of a programme called Explosiv, which looks like… a show on telly. Most pop culture news shows look alike to me. It was an experience involving a bit of a drive out and about, digging for soundbites, and last-minute planning. Loads of last-minute planning. Every single one of us will have the final product to look forward to in the next couple of weeks, so hold your horses; you’ll know when I know.

Lenka, still unsure about the whole ‘being on telly’ thing; Shi-chan, showing off a prezzie from Mr Morin purchased in Pyongyang, North Korea

At the very least, our appearance on Explosiv will have a number of firsts: it’ll be the first time an Anatomical Doll has been on non-Russian television, as it’ll also be Elena’s first foray into being on telly, and the segment will possibly show her first trip with me out of doors! We went to a cemetery, which should surprise absolutely no-one. Lenka found the cemetery thing to be wonderful — any time you can be outside without being harassed by people is always fantastic — but she’s still shy when it comes to being displayed on other peoples’ telly screens. ‘It’s not all that bad,’ Shi-chan had reassured her. Onwards and outwards!

A number of weeks ago, one of the Missus’ tumblr friends left this in her Ask box:

Sidore agreed that, were it not for the fact that I’m currently on the dole, it’d be a hell of an idea. Maybe since we can’t actually dress the part for this year’s Hallowe’en, perhaps some keen and generous artist could draw us as the aforementioned Blade runner characters, hint hint?
Just so you know, I nearly typed ‘Blade rubber’ there. Really, what are the odds?

Sdtrk: ‘Prototype pop’ by Severed heads

As we can all agree, seeing numerous photographs of Dolls is all well and good, but it’s better to see video footage of them doing all manner of things as well. That’s beginning to change! New York music artist Hot Sugar teamed up with famed Doll photographer Stacy Leigh, and she directed a video for his song Erica. Observe:

Apart from the fact that it features several alluring RealDolls, I was really impressed with the concept; the ‘Video Intimates’ DVD idea is way too clever. Well done to all involved!

Before we move on to the other video, I’ll take this opportunity to mention that Phoenix studios have just released yet another make of Boy Toy. This series is called ‘Celestial Bodies’, the first lass in the stable would be named Star, and this is what she looks like:

Finally! A 100% artificial version of Pamela Anderson! Well, one you can take home

She’s 4’10” (I once knew a lass who was that height), weighs less than 60lbs, has measurements of B:32 / W:22 / H:32, and wears a sz 5 shoe. According to Phoenix studios, she currently has a full head design with a deep mouth insert, although they’re working on a version that’ll sport closing eyelids as well. Also she features a new design for her pelvic insert. I’m sorry, I have to side with the Japanese Doll makers on this: they refer to a pelvic insert as a ‘marriage hole’. There is no way that term isn’t amazing.
Check out the rest of Star’s photos here, and see what you think…

There’s a cluster of new photosets posted on Sinthetics as well; now available are new shoots detailing an Alicia head on a Body 1B, and two shoots of an Eliza head on a Body 1B, one of which has her getting to know a Gabriel-type. Well well. *raises eyebrow*

Of course it’s drafty, Eliza; you’ve just taken off your blouse

The good folk at Sinthetics are due to release another male manikin named William, so some of you have that to look out for…

Now the other video we’ve got coming up… good lord, for a moment there, I felt like a VJ. So! The other video we’ve got would be by DCUP (I rather like their name) featuring Mereki on vocals, and starring model Kozue Akimoto hanging out with her Gabriel-type lover by Sinthetics. Let’s take a look:

I’d have to say that video’s pretty adorable, too. And did you notice the part where they went to Shinjuku’s famous Robot Restaurant? Society needs more iDollator couples! But you’d expect me to say that.

Last but not least, Danielle of Womanicpation Proclamation has released the second part of her interview with me on her blog just recently. Like me, she got sidetracked by things, and like my review of DolLApalooza 2013, she thought it would only span two parts, but there’ll be a third. I forewarn every potential interviewer that I tend to ramble concerning my favourite subjects. I’m a rambler! A Nash Rambler, to be specific. I was produced briefly by the Nash division of the Nash-Kelvinator Company and was a forerunner to the American Motors Corporation’s entry-level cars. Produced between 1950 and 1957, I was North America’s first compact car *continues with this folly for an additional forty-nine minutes*

Sdtrk: ‘Река’ by Утро

I take it you lot have read the first part of the narrative? Gooooood!

FRIDAY, 26 JULY
8.30am found our crowd consuming another hearty breakfast at Foxy’s, but this time, Amber Hawk Swanson joined our table! She basically filled in everyone who hadn’t gotten a chance to follow up with what she’s been up to since Amber Doll’s demise and subsequent transformation, as well as ask some of us present as to how our Synthetik partners are, and what we’ve been up to. (Not me; she already knows what I’ve been up to.)
Click here for the rest of the post, bunky »

Sdtrk: ‘I box 20’ by To kill a petty bourgeoisie

As I type this up, I can imagine regular readers of this godforsaken blog — all nine of you — seeing the title of this post, indignantly flinging their mug of coffee through the nearest window, and bellowing at their computer screen, ‘Oi Davecat! This isn’t “Let’s meet some of California’s Synthetik residents, Part II”, this is some other bunch of crap!’ Well, you aren’t wrong! Also, shame that you shattered your ‘World’s Greatest Dad’ mug; you’ll never be able to replace that.

This post has two purposes: one, to say Hello to the sudden influx of new readers. Hello! Please be seated.
The other purpose is to explain why I’ve got new readers in the first place: remember in the previous post how I’d mentioned that a reporter for a notable online news site wanted to interview me about my iDollator lifestyle? Well, Julie Beck of The Atlantic sent over a passel of questions via Email, and I replied with some thorough answers. Last Friday it was published, and you can read it here: Married to a Doll: Why One Man Advocates Synthetic Love.

Also, if more men do start “choosing the synthetic option,” as you say, and begin having relationships with objects that are shaped like women, do you think that will encourage the objectification of real women?

The belief that the existence of synthetics encourages the objectification of organic women is baseless. If anything, those of us who are iDollators or technosexuals find that it’s more a case of personifying objects. But then, 98 percent of the iDollators and technosexuals I know treat their Dolls like goddesses. I can’t really speak for those who don’t, and it would be safe to assume that those who would objectify an organic woman would’ve been practicing that behavior long before knowing about synthetics.

As I’d told Julie, I think it’s one of the top five favourite online interviews I’ve done, as it lacks any conjecture or bias! Which is the way reporting should be. Although I do wish that she’d have pointed out that Elena was made by Anatomical Doll; she’s not a RealDoll, like my Missus is. Not all Doll manufacturers are the same!
So do enjoy the additional reading material, and I’ll get back to writing about DolLApalooza 2013. Or getting in a couple more minutes hours with Suda51’s KILLER IS DEAD. You know how these things go.

Now I shall show you a photo of the Gynoid actress/personality Actroid-F (aka Geminoid-F), in lieu of ending this post in a responsible manner

‘Why the hell did I do that? I’m really gonna miss that coffee mug’

Sdtrk: ‘The aurora’ by Our glassie Azoth

While still at work scribblin’ Part II of my DolLApalooza 2013 encapsulation (‘DolLApalooza: now in capsule form. Warning: do not take prior to operating heavy machinery’). I’d gotten a bit sidetracked — cos that never happens, right? — as not only did I recently receive a request for an interview via Email for a notable online news site, but the final day of August had me, my wife, and our mistress being interviewed for a promo video for a fellow iDollator. Under normal circumstances, I’d go into more detail about it, as it was a fun and non-subjective experience, but said iDollator is still planning things out, and she’d cut me fuckin’ baws off if I said any more. Busy, but for a good cause!
Before Part II materialises, here’s some additional points of Synthetik interest:

+ This year marks the twelfth year that Japanese Dutch wife merchants 4woods have been in business. During that time, they’ve released ten body types and a staggering forty heads. Company head Hiroo Okawa further goes on to say, in one of the site’s more recent news posts:

We tried to think really hard about what life-size silicone dolls (love dolls) can provide our customers and tried to create dolls that are worth more than its price through trial and error. Our new A.I.doll Ex is the result of our numerous trials. We are aware that customers’ ideal life-size silicone dolls (Love Dolls) can stand up and sit beautifully, and looks sexy even laid down. They can make adorable poses which makes you want to hold her and simulate various poses for sex easily but also durable at the same time. They should have a silky and soft skin like human which you want to feel forever. We are well aware of it.

However, unfortunately we have not been able to achieve this level yet after 10 years.

Our customer target for A.I.doll Ex is those who would like to enjoy watching her and taking photos of her rather than just having sex with Love Dolls.

Therefore, movable range of this doll is smaller than our other models. Perhaps, this may be the most difficult doll to handle in all of our models. That is why we imagine that you would pour more love for her.

What that all parses to, if you’re not familiar with the wants and needs of iDollator culture, is that the new A.I.Doll EX body type is capable of standing. Not entirely unassisted, but lean her up against a wall, and you should be sound as a pound. Couple that new body with Lissa, a head made exclusively to fit this seductive new body, and you’ve got a fine combination.

Lissa’s enthusiastic stripping distracted her lover from whatever was in her bag

It is a really impressive thing, though! I recall when I first saw an A.I.Doll in person back at AVN 2010, one of the three things that stopped her from being absolutely perfect* was the fact that A.I.Dolls back then were unable to completely straighten their legs at the knees, due to the way they were moulded. Now, not only have 4woods gotten that issue sorted, but their lasses can stand with a wee bit of patience on the part of their owners! When you have a Doll whose skeleton can allow her to pose like this, then that’s the sort of wish a lot of us have had for ages come true.
Incidentally, this October, 4woods are discontinuing not only their Akari, Kaon, Kurumi, Yurio, Neu, and Ally heads, but they’ll no longer be selling the accompanying body type A.I.Peach New Edition as well. Go visit the site, please have wallet ready, etc.

+ Another artist has seen fit to snap photos of an artificial lass: German photographer Julie Steinigeweg has documented a series of pics starring Jenny, a Doll who looks to be made by Mechadoll or one of the similar companies. This photoseries is particularly fascinating, as Jenny seems to be an older lass, and her silicone lamination is separating. Despite this, her beauty is apparent, and her condition makes her even more of a sympathetic figure.

photo © Julie Steinigeweg

I’ve sent an Email to the photographer, asking if there’s any further info behind the project she can pass on. Personally, I’m curious as to whether or not she’s the same Jenny who starred in Oliver Schwarz’s ‘Traumfrau‘, a film I’d mentioned here this past June. Hopefully Frau Steinigeweg’s English is better than my German!…

+ And were you aware that Abyss Creations, the place where the world’s RealDolls come from, have retooled their website? It’s true. Not only that, they’ve finally folded the Wicked RealDoll site into the updated Abyss site, which only makes sense. That’s one-stop shopping! Well done, lads and Debra!
You won’t want to just see what they’ve done with the place, though; Abyss have released another sexbomb in the form of Brooklyn, a Body D Face M RealDoll 2. If you appreciate the larger feminine posterior, and are incapable of telling mistruths, you’ll like what she has to offer.

photo © by Stacy Leigh

Ms Brooklyn has, in the words of a supervisor I’d had several jobs ago, more cushion for the pushin’! Months later, he was transferred to another facility. Fact.

So there you are! Well, let me stop writing, so I can get back to writing. Wait, what?

*What were the other two things, you ask? One – her feet were rather mediocre-looking, and two – I couldn’t take her home with me. Deal-breakers, man, believe me