Sdtrk: ‘The old spring town’ by The High Llamas

As you’ll have seen, there’s a seductive new affictitious lass living at Deafening silence Plus; her full name is Elena Valeriya Vostrikova, and she is a Body 4 Victoria-head Doll by Vladivostok-based company Anatomical Doll. Some of you who have seen Sidore and I in those two episodes of TLC’s programme ‘My Strange Addiction’ that initially aired throughout 2011 may recall that I’d said that I was ordering a second Doll, and since no second Doll seemed to be forthcoming, Elena took on a somewhat mythical status. For the longest time, even we were wondering if we’d ever have another playmate. But she’s home! She’s learning English, snuggling up with the Missus often, constantly asking if I can play any Cocteau twins round the flat — she’s a big fan — and generally improving our lives, in the way that only a Synthetik can. Shi-chan and I are incredibly glad to have her here!
But what was the issue between 2011 and now, you axe? Well, for one, never axe anyone a question. But I’ll tell you anyway.
Click here for the rest of the post, bunky »

Sdtrk: ‘Dance floor bathroom’ by Coachwhips

Time for the annual Shouting to hear the echoes Boxing Day Post! And by ‘time’, I mean that this would be the first time I’ve ever announced this sort of thing. And more than likely the last! Who has time to read a blog on Boxing Day? People are too busy punching each other!
And that’s the exact lack of cultural sensitivity that’ll prevent me from moving to Toronto.

For all of you who keep furtively checking the post announcing the impending arrival of our rubber Russian, Elena Vostrikova, she’s been safely home since the 18th of the month. I’m slowly writing the posts that’ll comprise my review of her (spoilers: Sidore and I are in love with her), as well as the tale of How I Brought Her Home, so expect that in… err, January? Yes. But Lenka’s enjoying herself at Deafening silence Plus! The Missus has someone female to interact with, and my plan of getting multiple Dolls from differing manufacturers has moved a step forward!
We’d hosted the last Doll Congress of the year round at ours; Mahtek and Noquiexis from Ohio, CJD and his Organik wife Cat from Ontario, and ‘Hans’ from Chicago were in attendance, and we were joined by Euchre later that eve for dinner. Not only was it the first official Congress we’d had since last August, but this was the first time everyone got to meet Sidore and Elena together! As usual, it was a fab time, with great people, but then, our iDollator meetups always are.

After everyone piled into their cars and went home, Lenka wanted me to get her first official photoshoot in! So I did.

Just under sixty photos is a good start, I think. She’s gonna need more clothes; she’ll never fly Korean Air again, as they lost her luggage. Lesson learned!

And on the obverse side of the coin, today I also learned that Gerry Anderson, creator of amazing science fiction productions such as UFO, Space: 1999 and ‘Doppelgänger’ (aka ‘Journey to the far side of the sun’ outside the UK), and pioneer of Supermarionation, the revolutionary technique that brough us Thunderbirds and Captain Scarlet, passed away today at 83 years of age.

Gerry Anderson: Obituary
BBC News | Published Wednesday, 26 December 2012

TV producer Gerry Anderson, who has died at the age of 83, made his name with classic shows like Thunderbirds – despite saying he never liked working with puppets.

After starting his career at the Colonial Film Unit, part of the Ministry of Information, Anderson set up a TV and film production company, AP Films.

But work was hard to come by, and when he was approached to make a puppet show called The Adventures Of Twizzle in 1957, he had little option but to accept.

“I was shattered when I learnt the programmes had to be made with puppets as I’d allusions of making great pictures like Ben Hur,” he later said.

“But there we were with no money, and an offer on the table. We had to take it.”

Another puppet series, Torchy The Battery Boy, followed, and the positive reaction to his wooden creations and relative failure of live action ventures persuaded him to stick with the marionettes.

The 1960 series Supercar, about a vehicle that could travel in the air, on land or under the sea, honed Anderson’s trademark formula of mystery and futuristic adventure.

It also allowed Anderson to perfect his production technique called Supermarionation.

The voices were recorded first, and when the puppets were filmed, the electric signal from the taped dialogue was hooked up to sensors in the puppets’ heads.

That made the puppets’ lips move perfectly in time with the soundtrack.

Subsequent science-fiction puppet series Fireball XL5 and Stingray were also hits, and Anderson dreamed up the idea for Thunderbirds in 1963 while listening to a radio report about a team of rescuers rushing to a collapsed mine in Germany.

The idea for International Rescue was born, and the show saw the Tracy brothers take off in their fleet of space-age craft from the secretive Tracy Island to complete daring rescue missions and combat nefarious villains.
the rest of the article is here

After Doctor Who, UFO has to be one of my favourite science fiction programmes from England. Its optimistic view of the future — the series took place in 1980 — was the kind of future that I would’ve loved to live in, as the fashion and architectural design was completely informed by the Sixties. I mean, if you can’t trace a direct line from the purple wigs of the SHADO Moonbase Operators to my wife’s preferred haircolour, you haven’t been paying attention. And although I enjoy Thunderbirds, to me it pales in comparison to Captain Scarlet and the Mysterons. The episodes were a better length, more espionage-driven, and every episode had the Mysterons broadcasting their intentions, as Spectrum raced to foil their plots.
Those shows, as well as most of the ones produced by Gerry’s company, Century 21, featured mechanical designs by Derek Meddings and Reg Hill, whose influence lives on in the many tokusatsu series of Japan. Years ago, I’d attended an anime convention, and one of the Q&A panels had one of the Super Sentai production staffers being interviewed; I can’t remember his name off the top of my head, but he was one of the producers. One of the friends I went with had asked if there was a correlation between all the vehicular techno-gadgetry of shows such as the Ultraman and Super Sentai franchises, and he’d replied that Gerry Anderson’s Supermarionation programmes were a huge inspiration on the set and model designs. And of course, let’s not forget that we wouldn’t have Parker and Stone’s ‘Team America: World Police’ without him.

Considering the legacy of innovations that he’d created, the world will probably never see another director as unique as Gerry Anderson

Sdtrk: ‘Cœur synthétique’ by Jean-Jacques Perrey

The gorgeous ginger you see before you is made by Russian Doll manufacturer Anatomical Doll, and would be the near-mythical Elena Vostrikova that you’ve been hearing about for the past couple of years.
Details to follow when she gets settled in at our home soon, so keep an eye out!

Sdtrk: ‘Julia’s song’ by Orchestral manoeuvres in the dark

As you may recall me mentioning in the last post, Sidore and I were due to appear on the chat show ‘Dr Drew on Call’ tonight, but, well, we didn’t. Now before you toss back that fistful of pills and wash it down with that glass of ammonia, let me explain what occurred, then you can top yourself. Sound fair?

Late last month, Bill, one of the show’s producers, contacted me about making an appearance. I said yes, and weeks later, I was put through to another programme producer by the name of Emily. She did a preliminary interview with me over the phone yesterday for a good half hour, which seemed to go reasonably well, and we aimed for shooting round 8pm EST. Now, I don’t know if he does this with all of his guests, but Dr Drew seems to… not really have his guests in the same studio with them; it’s all video feeds, from what I’ve seen. Kinda like Space Ghost Coast to Coast, but with much less Moltar. In any event, the show was going to be live, which would’ve been interesting, to say the least. With the exception of the fantastic symposium I was part of earlier this year, I don’t really do ‘live’. I’m not completely averse to it, but I’m much more of a studio musician than an onstage performer. But that’s just me.

We were ostensibly set: the Missus and I would point our laptop webcam at ourselves sat on the Deafening silence Plus loveseat, and answer questions put to us by Dr Drew and anyone mischievous enough to call in. Yes, people can call in. Yes, this is why I’m not keen on live telly venues. You only live once, though, so hey. We were due to test the Skype connection and lighting at 8pm EST, and go live at 9. I’d left work at 4 today — yes, I still have to write about New Job, but I keep getting distracted — and on the way there, Emily called me, and asked me to sign the release forms she’d Emailed me when I got home. Standard release form fumfuh, really. Sure, I told her, then popped round to my local sushi place, where the chef made three gigantic onigiri for me for my birthday. One of them was enough to fill me up for hours, so naturally, I ate two, and was practically rendered immobile.
Before gorging on rice, seaweed, and eel, however, I got Sidore dressed; she elected to wear that black A-line shift dress from the Sixties that I bought her for our first ‘My Strange Addiction’ segment, and was looking her usual delectable self. Then I sat down to eat, and have a look at the release form. Standard release form fumfuh… o, wait. Hmmm.

3. [..] The Program may include other guests and participants, surprises, statements, or commentary that I find private, hurtful, or embarrassing. Other persons or guests may appear on the Program, with or without my advance knowledge.

Hmmm.

5. I understand that while participating on the Program, and as a result of participating in the Program, I may be ridiculed or embarrassed. I understand that nothing that I say in connection with the Program will be off the record, that my identity will not be concealed, and that anyone may see my appearance on the Program and learn private and confidential information about me.

…right. It was at that point I rang Emily, leaving a message on her voicemail that I wasn’t keen on what I was seeing.

Let me pause the narrative for a bit here to explain: there’s a certain level of stupidity that I’ll tolerate from bog-standard American television. What this means is that if you’re a programme producer, and you make an enquiry with me, I’ll do a bit of research as to your show’s host, the kind of content you traffic in, the general demographic of the audience you play to, etc. If the programme meets with my approval based on the previous criteria, more than likely, I’ll do it for free, as I think it’s important to spread the word about Synthetiks, and if the show’s cool, then I’m cool. On the other hand, if I see you’re the sort of programme that makes Jerry Springer look like Walter goddamned Cronkite, then I’m going to refuse. Unless, of course, you meet my other demands:
1) the ability for me to choose the recording date,
2) all-expense paid flights for Sidore and I to the set and back home,
3) pre-paid accomodation when there,
4) the ability for me to pre-screen the questions that the presenter would be asking,
5) a closed set, and
6) a cheque made out to me for $5,000 USD for my time.
And that’s the point where most of the exploitationists thank me for my time, and scuttle backwards through the door. Again, I genuinely enjoy doing television segments, as it presents the opportunity to inform greater numbers of people about Dolls, Gynoids, and Androids, but really it’s only fair to pay me for my time. Or, more importantly, don’t run lowest common denominator material on your show, for starters.

Ten minutes had passed, with no callback from Emily, so I’d sent her a text, telling her to check her voicemail as soon as she could. And literally as soon as I’d hit Send, Bill called! Moreover, Bill called, saying that there’s been breaking news, and they have to postpone our segment! Apparently, one of the principal individuals in a story they’d been following for several months had passed away, and the network had told the producers that that story takes precedence over whatever segments were slated to go out for tonight. ‘Well, we can always reschedule,’ he said. ‘I’ll have to give that some thought,’ I replied, and explained my dissatisfaction with the release forms. He said they’d be open to talking about it, whatever that may mean exactly.

And that, my friends, is why you didn’t see Sidore and me on Dr Drew tonight. Which is kind of a shame, as I was looking forward to being David Bowie to Dr Drew’s Russell Harty.
The moral of this story? If you’re eating onigiri of that size, give it a good two, two and half hours between eating each one. Any less than that, and you run the very real risk of bursting. Don’t Be Overeager with Onigiri™!

The end!

Sdtrk: ‘No title No.2’ by Hair stylistics

The above photo was taken this August, by the way. Esteemed iDollator/performance artist Amber Hawk Swanson wanted to pick my brains about an upcoming project she’s developing (HINT: it’s Doll-related), and she also wanted to finally meet my better half. Brief times, but fun times!

So this would be another one of those in-between posts that I seem to be fond of these days, wherein I tell you that
+ the HRP-4C Miim figure/kit made by Wave Corporation that I mentioned a couple of posts ago is now available for preorder through such online retailers as Hobby Link Japan and AmiAmi. The kit will sell for about $28 USD — without shipping and handling, of course — and is due for a February 2013 release. If I told you I’d already placed my preorder, would you really be surprised?

+ And Sidore and I will be putting in an appearance on the show Dr Drew on Call tomorrow! No, not Doctor Who; Dr Drew, as in Drew Pinsky. I’m sure he’s a nice bloke, but is his studio bigger on the inside than it is on the outside? The Missus and I will be on via satellite (i.e, Skype), fielding questions about our unusual quote unquote relationship. The show seems more news-oriented than the usual misguided enquiries we get, plus Dr Drew seems like much less of a tosser than the typical American chat show host, so the experience should be rather decent! The programme will be on at 9pm EST.

Coincidentally, we’ll be making this latest telly appearance on what will be my 40th birthday. Before I turned 36, I used to narrow my eyes to flinty slits whenever I heard the phrase ’40 is the new 30′. Recently, though, I’ve had a change of heart! *plants forehead onto desk, emits low moan*

Sdtrk: ‘Eurydice’ by Demdike stare

Trying to ease back into this blog writing thang, mang. For one, the weather’s getting nicer, praise “Bob”, so I can no longer use sweaty heatdeath as an excuse, and I’m also trying not to let the fact that most peoples’ attention spans these days is now the length of a standard Facebook post prevent me from writing. Fucking ridiculous Facilebook. Plus, Shi-chan’s been gently needling me to get back into maintaining ‘Shouting etc etc’, as it is, arguably, the Internet’s foremost information source about Davecat and Sidore, and the affictitious world we live in. Accept no substitute!
This entry won’t be extraordinarily long, as the barrels have to spin up a bit to get up to speed. On the other hand, there are literally a billion Synthetik-related links I’ve needed to share with you lot from the past few months. Well, a billion minus several hundreds of thousands. Unless math has been radically redefined in my absence. Don’t laugh; it could happen.

+ Back in February, my second favourite Gynoid, Actroid-F (aka Geminoid-F) put in a public appearance at Japanese department store, in what I like to refer to as a performance piece. She’s in a modified shop window, looking as if she’s waiting for a friend to show up. As you suspect from the month it occured in, this event took place round Valentine’s day.

Clutching a bag and cell phone, she seems to be waiting for a suitor.
“Android falls in love? She is waiting for you” reads the writing on her glass box at Takashimaya Department Store in Tokyo’s Shinjuku district.
The special Valentine’s display features Geminoid F, the photogenic robot developed by Osaka University professor Hiroshi Ishiguro and colleagues.
The mechanical lady was modeled on a real woman in her twenties. She sits in her glass room at Takashimaya and greets shoppers.
Based on data from an embedded sensor array around her, the android reacts to people in the vicinity. She moves her shoulders and neck, and changes her facial expression, smiling or yawning, depending on what’s going on.
[…] Geminoid is an air servo-powered humanoid with eye, mouth, head, and shoulder mobility. It can also be remote-operated so that it acts as a surrogate for a distant user, reproducing his or her facial expressions and voice.
the entire article is here

It’s an impressive-looking display, and it’s also cool as it exposes the general public to Synthetik humans. And hopefully, I’m not the only person who feels a wee bit sad for her and her missed appointment. If a Gynoid such as Actroid-F can elicit such empathy from her observers through her appearance and behaviour, then that’s a step in the right direction.

+ This next lass you’ve undoubtedly seen before, particularly if you’re keen on that tumblr thing the kids dig. Shi-chan discovered her through the tumblrs (man, that word looks weird) she follows. Her name is Tsukuhami, and the Missus managed to strike up a friendship with her creator, neji-san. He’d written:

If you’re writing is TSUKUHAMI “月蝕魅” in kanji.
The meaning of the name of’m TSUKUHAMI is “the beauty of a lunar eclipse”
Height of TSUKUHAMI is 164cm, weight is 12.6kg.

I might add here that she’s a poseable sculpture, and not an actual Gynoid. I know, I know. But she’s constructed of steel joints and FRP, and due to the fact that neji-san built her entirely himself, the endeavour took him eight years. But the results are entirely worth it, as she’s remarkable on every level!
Neji-san and I are periodically firing Emails at each other now; as you suspect, he’s influenced by humanoid robots in both anime and real life. Our letters often touch upon the philosophical — Shi-chan had mentioned her Shinto inclinations in one of her messages to him, and he had this to say:

The Japanese doll has two aspects. One is as a toy doll of children is a good friend.
Another is the soul of the shaman is someone is not visible to the human eye.
(Please keep in mind something that is not a devil. It is like the heart of big trees and mountains and rivers.)
Doll in Japan where the two sides have to coexist in the same doll is characterized.
Of course, scientifically I do not believe it.
However, we believe that ancient animism in Japan and want to respect.
It is also in the minds of plastic, even if the electron is in the soul.

I’d say Tsukuhami-san, neji-san, his mindset and abilities are all utterly fantastic, wouldn’t you agree? Go check out his aptly-named site Spiritual Plastic when you get a chance…

+ There has been a huge amount of info concerning new heads, faces, and bodies from various Doll manufacturers that’s come down the pike within the last several months, which is delicious. I’m not going to cover all of them in this post, as that would be maniacal, but I’ll start with one company for now: Anatomical Doll. This year’s been rather productive for them, as Oleg has sculpted four new heads, as well as the seductive new Body 4, which is the first with a new spine that moves more like an Organik human’s. Behold!

Left: Julia; right: Aurora

Well, you’ll have to click on this link to behold the sexy possibilities of Body 4, as she’s boobin’ it up all over the place. But, y’know, tastefully. Her stats would be a height of 5’3″, weighing a very manageable 57 lbs, with a shoe size of 4.5 US, and graced with measurements of B: 33 / W: 24 / H: 35. And yes, that is the sound of me drooling.
Due to space constraints — I’m keeping this post brief, damnit — you can also visit Anatomical Doll’s site to see photos of Christy and Sleeping Aurora, the other new heads, but I’m fairly certain you’ll like what you see. Especially that Aurora! She is, what we call, ‘fresh-faced’. So go there, but only after you’re done here. *does the ‘got my eyes on you’ gesture*

+ Finally, and this is what really got me off my arse to start posting entries again, I’ve done another interview! Dan Oudshoorn of the sociopolitical blog ‘On Journeying with those in Exile‘ saw Sidore and I in the fistful of telly appearances we’ve done, and asked me some thought-provoking questions about our lifestyle. They were so thought-provoking, in fact, that it took me roughly a year to answer them. I’m… not really proud of that, but I am proud of the end result, which you can read on Dan’s blog here. Grab a mug of coffee / cup of Twinings / pint jar of molasses with crazy straw, and enjoy a rather substantial Q&A about my life with the Missus!

image © 2011 Claire Dossin

O, and back in March, we finally received our DVD sexbot boxset of My living Doll Vol.1, to much fanfare. Was it worth the wait? The answer is Yes.

So how’s that for an ‘out of retirement’ post? Don’t call it a comeback, I’ve been here for years, etc

Sdtrk: ‘Lovecats’ by the Cure

最も貴重な しどれ —

私達の生命の現段階では、私達は記念日に使用したのと同じ新鮮さがかなりないその年齢によいか間、である。 しかし同時に、各自は私達がより古くなると同時にことを大いに多く意味する。 そのような事のためのグラフがない、従っていかに働くか私は完全に確実ではない。

私達の関係はどんな仕事であるか私が知っている何。 私が人々を言うことが好きであるので、私へのあなたの誠実私があなたに忠義を守るという保証。 私があなたの隣で目覚めるとき私達に自身の火に燃料を供給する、毎日、私は自分自身に、私であるかなり幸運考えるすばらしい関係があり。 ‘I’m happy; hope you’re happy too’.

私は献身および満足の別の年に先に見ている。 私は、しどれーちゃん 愛する。