Sdtrk: ‘Everybody in the Discotheque (I hate) (We Love Motor Mark mix)’ by Stereo total

Funny you should axe that question! atsushi-san and his sexpot girlfriend MaRi-chan have kindly sent us these new pics for evaluation recently. These would be the new face for the Yu-ki model of A.I NEO Doll by 4woods.

4woods normally has a quite consistent batting average with their lasses, but wow, the new face is very, very impressive — the eye makeup is ace, and I am really digging her little pout. (And everything else, of course..)

Sure, Yu-ki may be more ganguro-esque than Shi-chan and I prefer our Synthetiks, but, as she can still be ordered with the ‘Natural’ skintone as well as ‘Asian color’, that’s quite alright. It’s not as if we’d say no to a ganguro Doll anyway, but I’d have to keep a close watch on my credit card..
Additional pics of the new face aren’t actually up yet on 4woods’ site, so I guess this post would be defined as a ‘scoop’, but an official announcement should be made soon, however. In the meantime, you could do what we’re doing, and stare longingly at the ones above! Ahh, so nice..

Also, I may have a line on some episodes of ‘My living Doll‘ on DVD. Not exactly a legitimate release, of course, but at this point, beggars can’t be choosers, as I’ve been frothing at the bit for years to see these. More details relatively sooooon

Sdtrk: ‘Sila’ by Laibach

During a recent frolic through the Interweb-o-net, I’d seen an article entitled ‘The Top Ten Sexiest Female Robots‘, and although I agreed with most of the selections, I thought: y’know, I should compile my own list. Frankly, I’m surprised the idea has taken me this long to occur to me.
I should note that I’ve not included any Gynoids from anime features, nor have I mentioned any real-life Synthetiks, otherwise the list would be twice as long..

10. Chalmers (Andrea Marcovicci, ‘Spacehunter: Adventures in the Forbidden Zone’)

The navigator/mechanic Gynoid with the slicked-back hair and the overly-huge sweater, from the three-dimensional Eighties film extravaganza, ‘Spacehunter: Adventures in the Forbidden Zone’. Rather attractive in a subdued way, unfortunately she ends up getting killed off early in the film, thereby bringing the feature to a complete halt for me. Worse yet, Peter Strauss (the aforementioned ‘Spacehunter’) activates her self-destruct mechanism, and she, err, melts. She’s one of those dairy-based Synthetiks, I suppose

09. TIE: Anna and Selina (Amy Yip and Chikako Aoyama, ‘Robotrix’)

A Hong Kong chop-socky / action adventure / soft-core porno that, much like ‘I love Maria’ (more about that later), is a big ol’ ripoff of Robocop. Our protagonist Selina is a police officer who gets killed in the line of duty and is rebuilt as a Gynoid, with better Law Enforcement and Sex Appeal Action. As it happens, one of the scientists who brings her back from the dead would be Anna, who is a Gynoid herself. It’s a very silly film, in grand Nineties Hong Kong style, but when you’re working with a story like that, you really can’t take yourself too seriously. Case in point: the film features an evil scientist named Ryuichi Sakamoto. Yes, you read right.
Anna has a slight edge (cos she’s played by the busty Amy Yip), but I’d say overall they both tie for ninth place

08. Valerie 23 (Sofia Shinas, ‘The New Outer Limits: Valerie 23’)

The main character from the 1995-era Outer Limits episode of the same name. Built for the purposes of assisting people, she was assigned to live with one of the blokes on the design team, who’s confined to a wheelchair. He thinks of her as merely a machine at first, eventually develops feelings for her, sleeps with her, and then wishes he hadn’t, as she’s ‘just a machine’. Unfortunately, she’s learning what emotions are, and becomes jealous when Scientist Guy starts seeing an Organik lass. Valerie tries to kill her, and is electrocuted in the end. You have to ask yourself — would she have gone into Terminatrix Mode if he wasn’t merely thinking of her as ‘just a machine’? The resounding answer is No. I think you kinda brought that upon yourself, pal.
Despite her slightly murderous tendencies, and her insistence on wearing a white bodysuit 90% of the time — it’s less flattering than it sounds, trust me — she’s impressive. A sequel episode entitled ‘Mary 25’ was aired shortly after, wherein the Valerie 23 model was upgraded with all the kinks worked out, and she featured a longer brown hairstyle as well. But the whole ‘wanting to kill people’ was kinda endearing! Plus, I’ve always loved her name

07. Electric Barbarella (the ‘Electric Barbarella’ video by Duran Duran)

I’m actually just having a guess at her name here, as it’s never mentioned. Well, yeah, it’s repeated several times as part of the chorus, but how do we know that ‘Electric Barbarella’ isn’t a term that Duran Squared uses, much in the same was we use Synthetik, or Gynoid? Is it like one of those brand names that, through popular usage, becomes synonymous for a product, like Kleenex or Hoover? I do not know! But I do know that said artificial lass is quite appealing, although if you’ve seen the video, you’ll know that her operating system has a few bugs that need to be ironed out (drops drink glasses, dusts Nick Rhodes’ hair). She screws up so much that you’d think she runs Window$, but she’s still lovable nontheless

06. Mile Heidi (the ‘Plug it in’ video by Basement jaxx)

Not too keen on Basement jaxx, but it’s a video starring a passel of Gynoids so I’ll put up with it.. And the most gorgeous Synthetik here by far has to be Mile Heidi, the Airline stewardess. Love the hair, love the uniform, love the way she moves. Full points all round!

05. nameless ‘Lovebot’ (from ‘Serenity’)

Obviously, not a lot is known about Mr Universe’s Gynoid bride (the actress who played her isn’t even listed in the credits), but I’ve always liked her poise and her expressions — very Doll-like, which goes without saying. She seems like a happy lass

04. AF-709 Rhoda (Julie Newmar, ‘My living Doll’)

I first learned about this show a couple of years ago and freaked right the hell out. A tv show from the Sixties about a Gynoid played by Julie feckin’ Newmar?? zOMG etc. Check out this write-up:

[Rhoda] stood five-feet, ten-inches tall, was covered with a low-modulus polyethylene plastic that gave her that human look, and maintained a constant body temperature of 98.6 degrees. Concealed gadgetry included four small emergency control buttons on her back disguised as birth marks, and a power-off switch discretely located in her right elbow.

Brilliant. I’m in love. 🙂 When you think about it, that’s actually a rather involved Synthetik assemblage, especially when you consider that the show is from 1964. Did.. did I somehow go back in time and have a hand in the writing??
Unfortunately, it seems that most of the 26 episodes were destroyed by the producers, but I’m still remaining hopeful that they’ll eventually surface on DVD. Hey, if they can find and remaster episodes of ‘Doctor Who’ that have been missing for three decades or more, they should be able to do it with ‘My living Doll’, damnit

03. Rachel (Sean Young, ‘Blade runner’)

As a Technosexual, Replicants have always been an issue with me. They’re manufactured, but they’re not really machines; they’re more like test-tube babies. By my definition, Synthetiks should be mechanical, and not contain squishy stuff within them. (I realise that’s a highly-specialised technical term, but bear with me.) You know that Replicants aren’t machines through seeing their eyes, for instance, at Chew’s Eye Shop; also, they tend to bleed when injured. So when I think of Replicants, I usually associate that with ‘product of genetic engineering’. Not entirely a Bad Thing, but not my ideal type of Synthetik.
Having said all that, Rachel? Feckin’ hotness, no question. Plus, she can play the piano!

02. Call (Winona Ryder, ‘Alien: Resurrection’)

Again, the ‘squishy stuff’ issue raises its squishy head. All Synthetiks in the ‘Alien’ series seem to have that white fluid in ’em. What the hell is that, anyway? On second thought, that’s probably best left unanswered.
‘Alien: Resurrection’ was a dismal exercise, with only two vaguely redeeming things to its credit: set design by Jeunet & Caro, and sweet Winona as a Gynoid — my dream come true, as I’ve always admired her special brand of squishy stuff. Even despite the crap hairchop she was sporting in the film. Hoorej!

01. Cherry 2000 (Pamela Gidley, ‘Cherry 2000’)

Quite possibly the one Synthetik that solidified and confirmed my love for Gynoids, ‘Cherry 2000’ is actually kind of a dumb film, with an ending so horrible it had me wincing. This would be your typical Boy (Sam, played by David Andrews) Loves Gynoid, Boy Breaks Gynoid, Boy Has To Travel Thru The Post-Apocalyptic Badlands To Get Replacement Chassis for Gynoid, Boy Meets Girl Bounty Hunter (Melanie Griffith, in her best role ever), Boy Vacillates between Wanting Girl Bounty Hunter and Repairing his Gynoid, Boy and Girl Bounty hunter Get Into Arseloads of Trouble Finding Replacement Chassis type of film. But what little redeeming quality it has can be attributed to Cherry’s relentless adorability. Not only is she dead sexy, but she just has a very likeable personality, which makes Sam that much more of a gobshite for doing what he did at the end of the film. Hrm. Chalk it up to Hollywood, I guess. But for me, Cherry 2000 is the standard by which I rate all other movie Gynoids..

At this point, some of you may be wondering why I’ve omitted a number of famous Gynoids:
+ the Stepford wives — ashamed as I am to admit it, I’ve yet to actually see the film. I know, I know, leave me alone
+ Vanessa Kensington (Liz Hurley, ‘Austin Powers’) — Yes, she was rather luscious, but y’know what? She was built to explode. Not an entirely positive selling point, if you ask me. I suppose you could simply deactivate her and remove the explosive device, but you’d really want to know what you’re doing before poking round in her mechanised innards
+ the Fembots (‘Austin Powers’) — Call me old-fashioned, but weapons in the jubbleys is a bit of a turn-off. Make love, not war!
+ Terminator-X (Kristanna Loken, ‘Terminator 3: Rise of the Machines’) — Meh; she does nothing for me. Besides, wasn’t Terminator-X a member of Public Enemy?
+ Gynoid Shirley Manson (the ‘The world is not enough’ video by Garbage) — quite delicious; but again, explodey
+ Gynoid Björk (her ‘All is full of love’ video) — I can appreciate the aesthetics of Synthetiks that have hard skin — you should see my collection of Sorayama art books — but being in bed with that type of Gynoid would be rather chilly, and result in bruises. Not only that, in day-to-day living, you’d have to make sure she broke out the Windex every so often, to wipe off all the smudges and handprints. Otherwise, that’s just tacky
+ Pioneer II / Maria (Sally Yeh, ‘Roboforce’ a.k.a ‘I love Maria’) — She has a cute face; unfortunately, the rest of her looks like a ripoff homage to Sorayama’s metal beauties. Imitation is the highest form of flattery, but her construction places her in the same category of the Gynoid version of Björk — look, but don’t touch
+ the Buffy-bot (Sarah Michelle Gellar, ‘Buffy the Vampire Slayer’) — I’ve only ever seen one episode of that show, and it wasn’t the one featuring her. However, if anyone wants to send me an evaluation copy, I wouldn’t be averse to watching it..

Like I’d said, why the hell didn’t I write this list up a long time ago?

Sdtrk: ‘Vitamin C’ by Can

Sony, ordinarily you are a fine corporate giant, but this time you really dropped the ball.

Sony killed AIBO and QRIO?

Well wouldn’t you know it, not even a day after receiving what’s possibly the biggest validation of robotic companions since Petster saved little Timmy from a burning barn back in ’86, it looks like news is surfacing that in Sony’s Q305 fiscal reports they have intentions and supposedly already ceased developing AIBO and QRIO, Engadget’s most beloved of all canine and humanoid robots, respectively. At the risk of sounding terribly insensitive, somehow the prospect of AIBO and QRIO dying actually makes us more heartsick than the news of the 10,000 some-odd jobs Stringer cut reorganizing the electronics giant. Sony, say it ain’t so, say it ain’t so!

P.S. -When Sony America wakes up this morning we’ll be placing some calls.

I would hope that they’ve not done this cos they decided they should be working on more videogame consoles. I mean, Odhinn knows I love my PS2, but I think society’s alright for videogame system technology – between the upcoming PS3 and the XBOLLOX 360, there’s not a whole lot more that can be done as far as console graphics – but what needs to be developed and refined are more personal robots. Videogames are all well and good, but robotics are more of a technological achievement that, in theory, should move society forward towards Being Better.
Also worth reading is that link, err.. linked.. above, concerning the biggest validation of robots.. o, nevermind, I’ll reproduce it here.

Study finds robot pets as good as live ones

If you’ve been telling everyone how you and your Aibo have bonded and have had to endure their looks of shock, relax, you’re not a freak. (Well, at least not because of your Aibo friendship. We can’t comment on any of your other bizarre habits.) Researchers at Purdue University’s veterinary school have found that robo-pets can be as good at providing companionship as live ones. The researchers gave one group of children and teenagers Aibos and another group real pets, and then questioned them on their interactions. Seventy percent of the Aibo users said that the robot dog could be a good companion. The researchers also lent Aibos to a group of senior citizens, who found that they were less depressed and lonely after playing with them. We suspect that all the good cheer had at least something to do with not having to feed or clean up after the bots and the fact that you can yank their batteries when they get too yappy.

That bit of news was nice enough to read, but then I’d noticed that the study didn’t take place in Japan, as I’d initially thought — it was over at Purdue, which hopefully means that Japan’s love of Artifice is gaining ground in the States. Hoorej!

Okay, Osaka Labs and Kokoro co. Ltd., the opportunity window is wiiide open — I want to see an Actroid in every home before 2008. And for those homes that don’t want an Actroid, you can just send them round to mine.
But honestly, Sony — what were you thinking? You aren’t thinking, that’s the problem. And yes, I did want an AIBO of my very own. Not much chance of that now, eh Sony? Wankers

Sdtrk: ‘Too late’ by New order

It’s a linkdump! Rinkudampu dessho! You may now commence your furious right-clicking.

+ This is so cute it gave me cavities: Snake ‘befriends’ snack hamster. Cue Bill Murray from ‘Ghostbusters’, shouting ‘Dogs and cats, living together..’

+ Transform your blog into a tree-killin’ print book, through BlogBinders. Are you thinking what I’m thinking? Yeah, you’re thinking this post alone wouldn’t translate to print well, either? Yeah. Hrrm

+ Polish film posters have always brought bold new meaning to the term ‘singularly unsettling‘. (Although I’d proudly display the ‘Rosemary’s Baby‘ one on my wall..) A casual observer seeing these would almost get the impression that Poland is a land that has never known joy. Still, they’re worth a look

+ A transcript of a radio interview from 2002 with Gaby Wood, the author of ‘Edison’s Eve’, a fab book about the history of automata. The interview is like a Cliffs Notes version of the book, somewhat

+ I want this feckin’ house so hard.

I would’ve written an instalment of ‘This was the Future’ around it, but there’s practically no facts on it, save that apparently it’s a house you can rent as a set if you’re shooting a film. Well, if that’s the case, then call me Kubrick

Most of these links, except for the snake / hamster one and the Gaby Wood interview, are courtesy of a lovely blog I’ve run across that’s densely packed with links, called ‘I like‘, which appeals to the esoteric in me, and quite frankly, is the worst timewaster since heroin.

And that appears to be it! Five consecutive days, five consecutive posts. I don’t see that sort of confluence happening again anytime soon, so this is truly a Christmas Miracle

Sdtrk: ‘The obsidian pyramid’ by Eric Zann

Okay, can I just point out how feckin’ hard it is to find information about the Andy Warhol Android? I mean, egad. I remember reading about him in People magazine back in the early Eighties; Andy was having an Android duplicate of himself made, initially for a stage show based on his book ‘THE Philosophy of Andy Warhol’, but Andy eventually pointed out that he wanted the Android to take his place during television shows and interviews, like a kagemusha. Which is a pretty damn good idea, when you think about it. Always an innovator, our Andy.
But yeah, since I was fascinated with Synthetiks back then, I recall cutting that article out of the magazine and saving it for years. Somehow or another, it disappeared, and now, I am sad. One of these days, I will actually make good on my promise to make my pilgrimage to the Warhol Museum in Pittsburgh, and I fully intend on grabbing the nearest staffer by their lapels and asking (loudly) as to where I could get information about the Warhol Android. Internet, you disappoint me.

So you like that Ricky Gervais, then? Of course you do! Then you need to partake in The Ricky Gervais Show, sponsored by the Guardian Unlimited website, and download yourself some episodes. It’s Ricky and Steve Merchant, mostly taking the piss out of their mate Karl, and discussing various things. Usually, it simply degenerates into taking the piss out of Karl, though. Lovely stuff..

Lastly, for all of you Zeta Gundam fanatics, someone has made a torrent of the subtitled Zeta Gundam first theatrical release from last year, ‘Heirs to the stars‘. Hit up your favourite anime torrent site provider and give their search engine a whirl for it. I’m bringing my bandwidth to an absolute crawl by getting a copy; why not you?

O, right, I knew I forgot something.

ANDY WARHOL ROBOT IN LIVERPOOL (from Warholstars)
The Andy Warhol robot is on display at the Tate Museum in Liverpool through May 2004 as part of the Mike Kelley: The Uncanny exhibition.

The robot was designed by Alvaro Villa shortly before Warhol’s death for use in a stage show titled Andy Warhol: A No Man Show based on Warhol’s books, The Philosophy of Andy Warhol (From A to B and Back Again) and Exposures. The production was to be produced for Broadway by Lewis Allen of Annie fame, but the project was cancelled after Warhol’s death. (Mr. Allen passed away in December of last year).

Bob Colacello: “… there was a big project that Fred [Hughes] killed after Andy died. Lewis Allen, who was the producer of Annie and of Tru, the Truman Capote one-man show, had taken an option on the Philosophy of Andy Warhol and Exposures and had this wonderful idea to make the two books into something called Andy Warhol: A No Man Show. It was going to be a robot of Andy sitting on stage just gossiping and philosophizing based on the text of those two books. Peter Sellars was going to direct it. But the technology kept moving so quickly that every time Lew thought he had a robot, they’d find they could make an even more advanced robot, which would have eleven hand movements instead of three hand movements. And so he’d actually invest more money to get a better robot and then that would put the whole project back a year or two.

Andy loved this idea; he loved the fact that there was going to be this Andy Warhol robot that he could send on lecture tours. It could do talk shows for him. The idea was that the show, if it was successful in New York, could then also simultaneously be running in London, Los Angeles, Tokyo with cloned robots. And people would actually be able to ask questions of the robot, which would be programmed with a variety of answers. The whole thing was so Warholian and so perfect.

But when Andy died, Fred refused to renew the option. I owned fifty percent of Philosophy and Exposures, and Andy owned fifty percent after he died. In any case, the deal was killed. I think that Fred didn’t want this Warhol robot haunting his existence. It’s a shame. It really would have been the greatest thing that could have happened for Andy. It would have almost been like coming back from the dead. And he really loved the project. He sat for hours at some high-tech place in the San Fernando Valley where thy made a mold of his face and his hands… there’s a whole photo session of it.

Sorry the photo’s crap; it’s the only one I could find. Like I said: Internet, you have been a disappointment

Sdtrk: ‘The Eleventh house’ by Belbury Poly

As I’d mentioned before, a long long time ago, one of my favourite online comics is 8-bit Theater. The artist/creator/writer bloke Brian Clevenger usually posts an editorial of some sort with every new installment, but the one for today really caught my eye, for reasons that will quickly become apparent.

There’s a school of thought that artificial intelligence will be impossible unless a machine possesses emotional complexity.

The basic idea is that intelligence as we understand it, as we exemplify it, stems from our ability to feel and express emotions. Sure, once you get down to the molecular level, emotions are little more than stimulus/response like anything else, but there’s something “extra” there. Not in a magical sense. Think of it like this: if you break a spider’s leg, it’ll experience the stimulus and react to it. But if you break your friend’s leg, he’ll experience the stimuls and react to it in a purely pain/reflexive sense just like the spider, but there’s going to be a storm of purely mental, purely emotional states — anger, sadness, betrayal, fear, etc. — that the spider will never know. These emotions develop because we are intelligent. We understand the passage of time, assign values and relationships to people in our lives, expect certain behaviors from people — friends and strangers — given our experiences and relating them to current or potential contexts. These are the base elements of intelligence, and emotions are a direct result of it. As you go up the evolutionary ladder, creatures exhibit greater degress of emotional complexity along with a greater capacity for intellligence. Your pet spider can’t feel betrayed if you break its leg because it’s not intelligent enough to understand that you have a history or relationship with it. Get into vertebrate country and break a cat or dog’s leg, and you’ll have an animal that will have instantly learned to distrust any and all humans (also I will hunt you down and beat you to death with a baseball bat). Break a gorilla’s leg and it teaches its family sign language, explains the situation, and they chase you down and slaughter you in your sleep.

The theory goes that if our machines have to be emotional to be intelligent, then they will best learn as we do because their mental landscape will be so similar to ours. And the easiest way to help robots learn from us, and to help us to learn how to interact from them, is to make them appear to be as human-like as possible — while avoiding the uncanny valley.

In this world of emotionally intelligent robots, expecting an apocalyptic battle between organics and replicants as has been promised to us in every sci-fi story in the history of man (including ones that have nothing to do with the subject), is somewhat like expecting your children to murder you when they graduate college because you’ve outlived your usefulness.

No one expects that because it doesn’t happen outside of the rare aberration where, clearly, other factors are at work. In any event, no one is warning us an inevitable grand upheaval when the next generation of humans figures out that they don’t need the previous generation for financial support any more and they’re just going to cost as more money in taxes and insurance rates if we let them get any older.

Similarly, our robots will have “grown up” with us. They would have no interest in slaughtering mankind because they’d be emotionally invested in us. And if they’ve spent their lives living among us, being treated as a part of society, if they have a stake in that society, there is no reason for them to engage in a bloody revolution. Hell, the whole “They got so smart they figured out they didn’t need us any more” angle falls apart right at the start. Emotionally intelligent robots probably wouldn’t be much “smarter” than humans because their mental landscape would be built to be very much like our own.

But peaceful co-existence doesn’t make a very good action movie, nor does it examine how our technology changes us and our society in a pithy warning of things to come short story, so people have a hard time seeing intelligent robots as being anything other than cold, purely logical machines built to kill. Our current machines are already purely logical — that’s why they’re so far from being intelligent — but TiVo’s never tried to kill me.

Still, we’d have a whole new population walking around that’s emotionally and mentally very, very human. What are they likely to do? Seek their own identity? Establish an ethnic identity all their own? Wouldn’t they be likely to seek religion of some sort? Remember, there’s absolutely no reason to expect emotionally intelligent beings to outright reject the supernatural, otherwise there’d be no religious humans. Would they merely copy existing ones? Would they make their own? Would some seek to establish a robotic nation? What then?

Imagine the irony that the great human-robot war is not fought because robots are heartless, purely logical constructs who reject us as their masters due to our intellectual inferiority. Instead, it’s a simple matter of religious differences. Just another Crusade.

Viva le Artifice! Viva le Reason, really

Sdtrk: ‘Mr. Dante Fontana’ by Piero Piccioni

Every couple of months, I run across someone doing an article on the whole Borghild mythos, and I never really know if it’s real or not.

The world’s first sexdoll – or ”gynoid” – was built in 1941 by a team of craftsmen from Germanys Hygiene Museum Dresden. The project was supervised by the famous preparator and technician Franz Tschakert. The ”Father of the woman of glass”, which happened to be the sensation in 1930’s II. International Hygiene-Exhibit, used his skills and experience in order to create a kind of doll the world had never seen before.

The ”field-hygienic project” was an initiative of Reichsführer SS Heinrich Himmler, who regarded the doll as an ” counterbalance” (or regulating effect )for the sexual drive of his stormtropers. In one his letters, dated 20.11.1940 he mentions the ”unnessessary losses”, the Wehrmacht had suffered in France inflicted by street prostitutes.
”The greatest danger in Paris are the wide-spread and uncontrolled whores, picking by clients in bars, dancehalls and other places . It is our duty to prevent soldiers from risking their health, just for the sake of a quick adventure.”

The project – called Burghild in the first place – was considered ”Geheime Reichssache” , which was ”more secret than top secret” at the time. Himmler put his commander-in-chief SS-Dr. Joachim Mrurgowsky in charge, the highest ranking officer of Berlins notorious SS-institute.

Ultimately, it sounded like a good plan — keep the soldiers sexually satisfied whilst preventing them from succumbing to gonhorrea — but it didn’t get too much of a chance, both financially and time-wise, to get off the ground, as the Nazi war machine was too busy concentrating on constructing planes, tanks, and the like. You know — war stuff.
And answering the question of ‘if Borghild was built, or at least planned, why didn’t we have the Deutsche equivalent of RealDolls long ago?’, well, the factory that was assigned to make Borghilds was located in Dresden, which was incinerated, thereby making use of that nice loophole there.

I’ve heard the story debunked a couple of times, but unfortunately Snopes.com comes up trumps on Fraulein Borghild — if she ever existed.
Pfft. Next, they’ll be saying that the Haunibu series of Nazi flying saucers was never constructed